About this finishing
Print. The image is printed on the top quality 10-ink HP Z9PS printer on HP matte 270 g / m2 paper. You can choose any size to an accuracy of 1 cm. A margin of 5 cm around the image is added to the size of the motif.
You can find a detailed description about our finishings
here.
Dahlias
Date:
1876Medium:
oil on canvasLocation:
Sterling & Francine Clark Art Institute, Williamstown, USADimensions:
46.2 x 55.9The painting depicts a floral composition in a white vase with blue decorations, placed on a dark wooden table. The vase is filled with various flowers, including yellow, purple, red and pink flowers with different shades and shapes. The light in the painting creates an impression of warmth and focuses attention on the centerpiece of the composition - the vase with the flowers. The surroundings of the vase are obscured and allow the flowers to stand out. The painting has an impressionistic character, which is evident in the loose brushwork.
Created by artificial intelligence, please be lenient. Morisot painted picture Dahlias in 1876. Prevailing color of this fine art print is dark and its shape is landscape. Original size is 46.2 x 55.9. This art piece is located in Sterling & Francine Clark Art Institute, Williamstown, USA. This image is printed on demand - you can choose material, size and finishing.
Berthe Morisot (1841 - 1895) French
impressionist painter whose personality stands out for her creativity and courage. She received an education in an academic environment, but after meeting with
Corot, she began to paint in the open air and got her first success at the Paris Salon. She was influenced by
Manet, who finally enabled her to get rid of the weight of academic tradition and brought her to the Impressionist style. For her independent nature, she left the salon and began to participate in
Impressionist exhibitions. She painted the most intimate scenes from the lives of ordinary women, city ladies, and maids and for her female perspective on these issues, she received ironic criticism. She used bold techniques for the time (free brushstrokes) and was interested in the effect of light.