About this finishing
Print. The image is printed on the top quality 10-ink HP Z9PS printer on HP matte 270 g / m2 paper. You can choose any size to an accuracy of 1 cm. A margin of 5 cm around the image is added to the size of the motif.
You can find a detailed description about our finishings
here.
Monet in his studio on the water
Date:
1874Medium:
oil on canvasLocation:
Neue Pinakothek, Munich, NěmeckoDimensions:
82.5 x 105The image shows two people sitting in a small gondola on the water surface. The man on the left, dressed in light-coloured clothing and wearing a hat, is painting on a canvas placed on a painting easel, while the woman sitting opposite him watches his work. The background shows an urban landscape with buildings and windmills. The overall atmosphere is calm, with a slight impression of moving water.
Created by artificial intelligence, please be lenient. Manet painted picture Monet in his studio on the water in 1874. Prevailing color of this fine art print is blue and its shape is landscape. Original size is 82.5 x 105. This art piece is located in Neue Pinakothek, Munich, Německo. This image is printed on demand - you can choose material, size and finishing.
Édouard Manet (1832-1883). French
Impressionist painter. He perhaps had the misfortune of starting at a time when the pendulum of history was deviating from traditional academic painting and Impressionism: for his generational peers, he was too progressive and for young painters, he was too traditional. Manet had an innovative spirit that, during his study of old masters (such as
Diego Velázquez), he complemented with an excellent painting technique. From the Impressionists, he took a penchant for displaying reality using long expressive brush strokes, studying objects in the open air, and concentrating on working with light and colour. Unlike the Impressionists, however, he did not give up black colours, contours and classical composition. In fact, he did not even want to be associated with the Impressionists – he wanted his paintings to be included independently in Salon exhibitions and avoided the label of
Impressionism.