About this finishing
Print. The image is printed on the top quality 10-ink HP Z9PS printer on HP matte 270 g / m2 paper. You can choose any size to an accuracy of 1 cm. A margin of 5 cm around the image is added to the size of the motif.
You can find a detailed description about our finishings
here.
Garden of Pere Lathuille
Date:
1879Medium:
oil on canvasLocation:
Musee des Beaux-Arts, Tournai, BelgiumDimensions:
92 x 112The painting shows a man and a woman sitting opposite each other at a table outside on the terrace of a café. The man is dressed in a light suit with a bow tie and the woman in a dark suit with a white collar. In the background, another guest can be seen leaving the terrace and the green leaves of the trees. The scene feels fresh and social, with an emphasis on the couple's interaction with each other.
Created by artificial intelligence, please be lenient. Manet painted picture Garden of Pere Lathuille in 1879. Prevailing color of this fine art print is vivid and its shape is landscape. Original size is 92 x 112. This art piece is located in Musee des Beaux-Arts, Tournai, Belgium. This image is printed on demand - you can choose material, size and finishing.
Édouard Manet (1832-1883). French
Impressionist painter. He perhaps had the misfortune of starting at a time when the pendulum of history was deviating from traditional academic painting and Impressionism: for his generational peers, he was too progressive and for young painters, he was too traditional. Manet had an innovative spirit that, during his study of old masters (such as
Diego Velázquez), he complemented with an excellent painting technique. From the Impressionists, he took a penchant for displaying reality using long expressive brush strokes, studying objects in the open air, and concentrating on working with light and colour. Unlike the Impressionists, however, he did not give up black colours, contours and classical composition. In fact, he did not even want to be associated with the Impressionists – he wanted his paintings to be included independently in Salon exhibitions and avoided the label of
Impressionism.