About this finishing
Print. The image is printed on the top quality 10-ink HP Z9PS printer on HP matte 270 g / m2 paper. You can choose any size to an accuracy of 1 cm. A margin of 5 cm around the image is added to the size of the motif.


You can find a detailed description about our finishings
here.
Spring
Date:
1886Medium:
oil on canvasLocation:
Fitzwilliam Museum, University of Cambridge, UKDimensions:
64,8 x 80,6The painting depicts an idyllic scene in a rural landscape where two figures sit under flowering trees. The trees are covered with white flowers and surrounded by green grass. Other trees and a fence can be seen in the background. The light shines through the foliage, creating a play of light and shadow on the figures and nature. The whole scene looks very peaceful and harmonious, emphasizing the beauty of a spring day. The colours are bright and airy, in a painterly style reminiscent of Impressionism.
This description was created by artificial intelligence, please be indulgent.
Monet painted picture Spring in 1886. Prevailing color of this fine art print is vivid and its shape is landscape. Original size is 64,8 x 80,6. This art piece is located in Fitzwilliam Museum, University of Cambridge, UK. This image is printed on demand - you can choose material, size and finishing.
Claude Oscar Monet (1840-1926). A native Parisian, who thoroughly developed the idea of
Impressionism. Monet almost scientifically studied the effect of light on different objects. He devoted himself to so called transitory states, which quickly led him to work with colour and light, his paintings acting on the viewer from the first impression. His use of open-air painting and objects which were special only because of light opened the way for the beginnings of modern painting. Monet’s
Impression, Sunrise (1874) not only gave the name to the whole art movement, but secured Monet a place among the best painters of all times. At one time, he resided in London and created his famous study
Houses of Parliament (Monet wondered, How could the English painters paint Parliament when it cannot be seen for the fog?). In the
Giverny, which became his favourite retreat after the death of his wife, he painted motifs from his garden and the popular series
Water Lilies - the world of the water was as poetic and mysterious as a primordial paradise.