About this finishing
Print. The image is printed on the top quality 10-ink HP Z9PS printer on HP matte 270 g / m2 paper. You can choose any size to an accuracy of 1 cm. A margin of 5 cm around the image is added to the size of the motif.


You can find a detailed description about our finishings
here.
Damrak street in Amsterdam
The painting shows the historic harbour with a row of ships moored at the quay. Several sailing ships can be seen with their masts extended. The background is dominated by ancient buildings with interesting facades and typical roof structures. The tower, which probably belongs to a church or town hall, is a prominent feature in the distance. The waterfront is quiet with few figures carrying out normal activities. Overall, the picture gives a historical and slightly romantic impression.
This description was created by artificial intelligence, please be indulgent.
Prevailing color of this fine art print is vivid and its shape is landscape. This image is printed on demand - you can choose material, size and finishing.
George Hendrik Breitner (1857 - 1923) Dutch painter born in Rotterdam. Already from childhood, he was extraordinarily talented, for which he was rewarded during his studies at the Academy of Fine Arts in The Hague. In 1880, he was expelled from the academy for burning regulations. Two years later, he met with the great Dutch artist
Vincent Van Gogh. In his works, Breitner prioritised workers and maids, the lower classes, and thus showed his social conscience following the example of Emile Zola. When he came to Amsterdam, he further focused on street scenes and the effect of weather conditions on them. Breitner was also a skilled painter of
nudes for which, like
Rembrandt, a > he was criticized because their sincerity diverged from the ideal of beauty. He was a very accomplished artist, and thus could travel, both in Europe and the USA. When he was hospitalized Breitner, he visited his friend Vincent Van Gogh. Although they were friends and colleagues, they later had a falling out when Van Gogh called Breitner’s paintings mouldy wallpaper. After his friend’s death, Breitner admitted that Van Gogh’s art is appropriate only for the Eskimos.