The organic movement of the chair and pitcher

This painting shows an overturned wooden chair lying on its side. The colours of the chair are predominantly in shades of yellow and grey, with hints of blue and red on one leg. Next to the chair is a ceramic vase or pitcher with a colourful decoration combining blue, brown and yellow. The work has an impressionistic character, although it is depicted with a certain degree of detail. The background is monochromatic and does not significantly define the space in which the objects are located.

This description was created by artificial intelligence, please be indulgent.



Prevailing color of this fine art print is b&W and its shape is landscape. This image is printed on demand - you can choose material, size and finishing.

Egon Schiele (1890-1918). Unconventional Viennese artist representing a significant milestone Viennese painting. He quickly broke away from the German movement of new art (Jugendstil) and began to paint in his typical style, with agonizing existential passion for the human body. He painted openly with reference to human sexuality (the images fit into the era when Freud was formulating his theories). Schiele’s paintings are dark, aggressive, and unusual. However, they are thoughtful, excite emotions, and comprise of fascinating drawing and composition. Schiele was tortured by existence, sexuality and the realities of life. His fame grew during his life, although it was very short: after World War I, his wife and child died to typhoid fever and Schiele died after a short time himself.