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Courbet, Gustave: Les Baigneuses
Les Baigneuses
Shipping date: 2 days

Les Baigneuses

Gustave Courbet
Realism | People
Reference #: #2320
Courbet, Gustave: Les Baigneuses
Courbet, Gustave: Les Baigneuses
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Les Baigneuses

Date: 1853
Medium: oil on canvas
Location: Musee Fabre, Montpellier, France

The painting depicts two figures in an outdoor setting with lush vegetation. On the left side is a man with his back turned, partially covered by a white cloth, who appears to be running away and has his right hand raised as if he is refusing or warning something. On the right side sits a woman with a dejected expression, dressed in a rich dress with various colorful elements and appears to be pleading or asking the man. The surrounding landscape is dense and dark with accents of green foliage.

This description was created by artificial intelligence, please be indulgent.



Courbet painted picture Les Baigneuses in 1853. Prevailing color of this fine art print is dark and its shape is portrait. This art piece is located in Musee Fabre, Montpellier, France. This image is printed on demand - you can choose material, size and finishing.

Gustave Courbet (1819 - 1877). French painter regarded as a leading figure of French realism of the 19th century. In 1839, he went to study law in Paris, but instead devoted himself to painting (he copied works by Spanish, Venetian and Dutch masters). His first success was in the Salon in 1849, when he received the gold medal for his painting Afternoon in Ornans. Courbet was inspired by Dutch masters ( Rembrandt, Hals and others). His influence was also Giorgione and Tizian. In the beginning, he pursued the track of austere rules tied to academicism that, for his open-minded nature, was too strict. He therefore painted according to the romanticists (Delacroix and Géricault). With the painting Funeral in Ornans, in which he captured his grandfather’s funeral, he distanced himself from romanticism and has since been considered a painter of realism.

Les Baigneuses

Gustave Courbet
Realism | People
Reference #: #2320

Motif size (height max. 80 cm)

Total size: 68 x 80 cm

Material

Finishing

without a frame
without a frame
colour of passepartout
none

Selected finishing:
Matte paper (print)
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Shipping date: 2 days
Price (incl. VAT)
:
40 €

About this finishing

Print. The image is printed on the top quality 10-ink HP Z9PS printer on HP matte 270 g / m2 paper. You can choose any size to an accuracy of 1 cm. A margin of 5 cm around the image is added to the size of the motif.

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You can find a detailed description about our finishings here.

Les Baigneuses

Date: 1853
Medium: oil on canvas
Location: Musee Fabre, Montpellier, France

The painting depicts two figures in an outdoor setting with lush vegetation. On the left side is a man with his back turned, partially covered by a white cloth, who appears to be running away and has his right hand raised as if he is refusing or warning something. On the right side sits a woman with a dejected expression, dressed in a rich dress with various colorful elements and appears to be pleading or asking the man. The surrounding landscape is dense and dark with accents of green foliage.

This description was created by artificial intelligence, please be indulgent.



Courbet painted picture Les Baigneuses in 1853. Prevailing color of this fine art print is dark and its shape is portrait. This art piece is located in Musee Fabre, Montpellier, France. This image is printed on demand - you can choose material, size and finishing.

Gustave Courbet (1819 - 1877). French painter regarded as a leading figure of French realism of the 19th century. In 1839, he went to study law in Paris, but instead devoted himself to painting (he copied works by Spanish, Venetian and Dutch masters). His first success was in the Salon in 1849, when he received the gold medal for his painting Afternoon in Ornans. Courbet was inspired by Dutch masters ( Rembrandt, Hals and others). His influence was also Giorgione and Tizian. In the beginning, he pursued the track of austere rules tied to academicism that, for his open-minded nature, was too strict. He therefore painted according to the romanticists (Delacroix and Géricault). With the painting Funeral in Ornans, in which he captured his grandfather’s funeral, he distanced himself from romanticism and has since been considered a painter of realism.


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Courbet, Gustave: Les Baigneuses
68 x 80 cm
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