Sincronia in verde

ID: #5449 | Simbolismo | Natura morta

Il dipinto raffigura una natura morta con due limoni gialli appoggiati su un panno verde in primo piano. A sinistra dei limoni si vede una brocca di ceramica di colore verde-blu con due manici. Sullo sfondo, un melone verde scuro e parte di una pianta con foglie. Nell'angolo in alto a destra si trova un cesto con macchie scure e rosse che potrebbero rappresentare frutta o fiori. L'immagine complessiva ha un tono verde scuro con accenni di blu e rosso.

Questo testo e le parole chiave sono stati creati da un'intelligenza artificiale, vi preghiamo di essere indulgenti!



Prevailing color of this fine art print is varietà di colori and its shape is ritratto. This image is printed on demand - you can choose material, size and finishing.

French Symbolist painter Paul Serusier (1864-1927) was born into a family of perfume businessmen. Seruiser studied philosophy in Greek and Latin. After his studies, he visited Pont-Aven in Brittany, where he was attracted by a small group of artists headed by Paul Gauguin, from whom he got one free lesson. When he returned to Paris, he told his colleagues how the famous painter advised him to get rid of stress and imitation, and instead transfer his own ideas, feelings and colours to canvas. A year later, he returned to Pont-Aven and became part of the art group Nabis, whose members included for example Jean-Edouard Vuillard. In 1895, Srusier’s artistic repertoire dramatically changed. After a visit from a friend from Germany, who was a Benedictine monk, he coined the idea that the beauty of the divine laws can be revealed only by an artist with a sense of harmony. However, he was not understood by the artistic community. When he died in 1927, an art magazine published a long article mapping his life work in his honour.