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Ninfee - riflessi verdi

Claude Monet

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Ninfee - riflessi verdi

ID: #2087 | Impressionismo | Ninfee

Date: 20th century
Medium: oil on canvas
Location: Musée de l'Orangerie, Paris, France
Dimensions: 197 x 847

Testo tradotto automaticamente. Per favore, scusa eventuali errori!

Durante un lungo periodo di depressione dopo la morte di sua moglie, Moneta ha attaccato l'idea di implementare una serie di dipinti con gigli d'acqua. È stato ispirato dal suo giardino in Giverny. In effetti, l'intero progetto ebbe luogo solo dopo una lettera al suo ammiratore, che voleva creare decorazioni per una stanza circolare. Monet ha funzionato segretamente, usando una tela di dimensioni giganti. Ha risolto i motivi in ​​modo astratto: luce, acqua, piante, tutto si dissolve nell'armonia di colori e riflessi. I dipinti spesso danno l'impressione che il pittore lavorasse immerso nell'acqua (Monet ha usato l'esperienza del suo studio galleggiante sulla Senna).

Monet painted picture Ninfee - riflessi verdi in 20th century. Prevailing color of this fine art print is blu and its shape is paesaggio. Original size is 197 x 847. This art piece is located in Musée de l'Orangerie, Paris, France. This image is printed on demand - you can choose material, size and finishing.

Claude Oscar Monet (1840-1926). A native Parisian, who thoroughly developed the idea of Impressionism. Monet almost scientifically studied the effect of light on different objects. He devoted himself to so called transitory states, which quickly led him to work with colour and light, his paintings acting on the viewer from the first impression. His use of open-air painting and objects which were special only because of light opened the way for the beginnings of modern painting. Monet’s Impression, Sunrise (1874) not only gave the name to the whole art movement, but secured Monet a place among the best painters of all times. At one time, he resided in London and created his famous study Houses of Parliament (Monet wondered, How could the English painters paint Parliament when it cannot be seen for the fog?). In the Giverny, which became his favourite retreat after the death of his wife, he painted motifs from his garden and the popular series Water Lilies - the world of the water was as poetic and mysterious as a primordial paradise.

Ninfee - riflessi verdi

Claude Monet

Motif size

Total size: 80 x 52 cm

Material


Finishing


Frame & passepartout

colour of passepartout
none

Selected finishing

Matte paper (print)
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Print. The image is printed on the top quality 10-ink HP Z9PS printer on HP matte 270 g / m2 paper. You can choose any size to an accuracy of 1 cm. A margin of 5 cm around the image is added to the size of the motif.

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:
37 €

Shipping date: 2 days

Ninfee - riflessi verdi

ID: #2087 | Impressionismo | Ninfee

Date: 20th century
Medium: oil on canvas
Location: Musée de l'Orangerie, Paris, France
Dimensions: 197 x 847

Testo tradotto automaticamente. Per favore, scusa eventuali errori!

Durante un lungo periodo di depressione dopo la morte di sua moglie, Moneta ha attaccato l'idea di implementare una serie di dipinti con gigli d'acqua. È stato ispirato dal suo giardino in Giverny. In effetti, l'intero progetto ebbe luogo solo dopo una lettera al suo ammiratore, che voleva creare decorazioni per una stanza circolare. Monet ha funzionato segretamente, usando una tela di dimensioni giganti. Ha risolto i motivi in ​​modo astratto: luce, acqua, piante, tutto si dissolve nell'armonia di colori e riflessi. I dipinti spesso danno l'impressione che il pittore lavorasse immerso nell'acqua (Monet ha usato l'esperienza del suo studio galleggiante sulla Senna).

Monet painted picture Ninfee - riflessi verdi in 20th century. Prevailing color of this fine art print is blu and its shape is paesaggio. Original size is 197 x 847. This art piece is located in Musée de l'Orangerie, Paris, France. This image is printed on demand - you can choose material, size and finishing.

Claude Oscar Monet (1840-1926). A native Parisian, who thoroughly developed the idea of Impressionism. Monet almost scientifically studied the effect of light on different objects. He devoted himself to so called transitory states, which quickly led him to work with colour and light, his paintings acting on the viewer from the first impression. His use of open-air painting and objects which were special only because of light opened the way for the beginnings of modern painting. Monet’s Impression, Sunrise (1874) not only gave the name to the whole art movement, but secured Monet a place among the best painters of all times. At one time, he resided in London and created his famous study Houses of Parliament (Monet wondered, How could the English painters paint Parliament when it cannot be seen for the fog?). In the Giverny, which became his favourite retreat after the death of his wife, he painted motifs from his garden and the popular series Water Lilies - the world of the water was as poetic and mysterious as a primordial paradise.


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