Cattedrale di Ruen - facciata ovest

ID: #57 | Impressionismo | Architettura

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Monet spesso dipingeva alcuni motivi in ​​diverse condizioni del giorno o in diverse condizioni di illuminazione. La serie di studi sulla cattedrale di Rouen, che consiste in cinquanta dipinti, non fa eccezione. Per questi scopi, Monet ha persino affittato una stanza di fronte alla facciata occidentale. Ha realizzato le sue impressioni con piccoli colpi, che hanno espresso differenze nell'illuminazione, nell'ombra e nel cambio di luce sui dettagli della facciata. Le immagini di questa serie si distinguono soprattutto se visualizzate da una distanza maggiore, perché solo in questo modo i piccoli cuscinetti di colore sono collegati a un tutto superiore.

Prevailing color of this fine art print is colori scuri and its shape is ritratto. This image is printed on demand - you can choose material, size and finishing.

Claude Oscar Monet (1840-1926). A native Parisian, who thoroughly developed the idea of Impressionism. Monet almost scientifically studied the effect of light on different objects. He devoted himself to so called transitory states, which quickly led him to work with colour and light, his paintings acting on the viewer from the first impression. His use of open-air painting and objects which were special only because of light opened the way for the beginnings of modern painting. Monet’s Impression, Sunrise (1874) not only gave the name to the whole art movement, but secured Monet a place among the best painters of all times. At one time, he resided in London and created his famous study Houses of Parliament (Monet wondered, How could the English painters paint Parliament when it cannot be seen for the fog?). In the Giverny, which became his favourite retreat after the death of his wife, he painted motifs from his garden and the popular series Water Lilies - the world of the water was as poetic and mysterious as a primordial paradise.