Libellula con ali rosse

ID: #1171 | TOP 100 | Surrealismo | Astratto

Si tratta di un dipinto astratto con una tavolozza di colori variegata e forme diverse. Nonostante la sua natura astratta, si possono riconoscere elementi primitivisti e surrealisti come i contorni forti, le forme geometriche semplificate e una composizione ben studiata. Dominano le tonalità calde dell'arancione e del rosso, intervallate da accenti blu e verdi. La tela presenta anche simboli come stelle e accenni di figure o oggetti che possono essere interpretati in molti modi.
Creato dall'intelligenza artificiale, si prega di essere indulgenti.

Prevailing color of this fine art print is marrone and its shape is paesaggio.

Joan Miró i Ferrà (1893-1983). Spanish (Catalonian) painter and sculptor. His paintings are considered surrealist. His approach attacks the traditional methodology (from the 1930s), which Miró considered bourgeois. He began making a living as an accountant, but quickly left behind the world of numbers and fully devoted himself to art. Gradually, he developed his symbolic language that he first used in the paintings The Tilled Field (1924) and Catalonia Landscape (1923). This language is used in most of his works. For example, he used the triangle shape to show the head, curves to show a moustache, and a rectangular shape to depict the trunk. As a surrealist, he often painted without a plan, with references to sexual symbols (for example, egg-like forms with penetrating wavy lines). As one of the first artists, he used auto painting. André Breton - the founder of surrealism - eventually described him as the purest surrealist of us all and he is considered an influential painter of the 20th century, who influenced mainly American expressionists (from the better known, for example Rothko Pollock or Motherwell and Calder).