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Picnic sull'erba

Edouard Manet

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Picnic sull'erba

ID: #1880 | TOP 100 | Impressionismo | Persone

Date: 1863
Medium: oil on canvas
Location: Musee d'Orsay, Paris, France
Dimensions: 208 x 264

Testo tradotto automaticamente. Per favore scusa eventuali errori!

Questo è un grande dipinto ad olio creato da Manet nel 1862-1863. L'immagine è stata dipinta per far sentire lo spettatore che si trattava di un dipinto in studio. Questa impressione è rafforzata da una luce che non proietta quasi nessuna ombra, e quindi dal cappello dell'uomo a destra, il che è tipico di indossare all'interno. Manet ha deliberatamente scelto una grande tela usata principalmente per scene storiche. Insieme alla sfida dell'immagine - una ragazza nuda con due uomini vestiti (inoltre, guardando con fiducia direttamente allo spettatore) - ha così raggiunto una risposta senza precedenti. Il lavoro è ora a Musée D Orsay a Parigi.

Manet painted picture Picnic sull'erba in 1863. Prevailing color of this fine art print is colori scuri and its shape is paesaggio. Original size is 208 x 264. This art piece is located in Musee d'Orsay, Paris, France. This image is printed on demand - you can choose material, size and finishing.

Édouard Manet (1832-1883). French Impressionist painter. He perhaps had the misfortune of starting at a time when the pendulum of history was deviating from traditional academic painting and Impressionism: for his generational peers, he was too progressive and for young painters, he was too traditional. Manet had an innovative spirit that, during his study of old masters (such as Diego Velázquez), he complemented with an excellent painting technique. From the Impressionists, he took a penchant for displaying reality using long expressive brush strokes, studying objects in the open air, and concentrating on working with light and colour. Unlike the Impressionists, however, he did not give up black colours, contours and classical composition. In fact, he did not even want to be associated with the Impressionists – he wanted his paintings to be included independently in Salon exhibitions and avoided the label of Impressionism.

Picnic sull'erba

Edouard Manet

Motif size

Total size: 80 x 62 cm

Material


Finishing


Frame & passepartout

colour of passepartout
none

Selected finishing

Matte paper (print)
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Print. The image is printed on the top quality 10-ink HP Z9PS printer on HP matte 270 g / m2 paper. You can choose any size to an accuracy of 1 cm. A margin of 5 cm around the image is added to the size of the motif.

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:
40 €

Shipping date: 2 days

Picnic sull'erba

ID: #1880 | TOP 100 | Impressionismo | Persone

Date: 1863
Medium: oil on canvas
Location: Musee d'Orsay, Paris, France
Dimensions: 208 x 264

Testo tradotto automaticamente. Per favore scusa eventuali errori!

Questo è un grande dipinto ad olio creato da Manet nel 1862-1863. L'immagine è stata dipinta per far sentire lo spettatore che si trattava di un dipinto in studio. Questa impressione è rafforzata da una luce che non proietta quasi nessuna ombra, e quindi dal cappello dell'uomo a destra, il che è tipico di indossare all'interno. Manet ha deliberatamente scelto una grande tela usata principalmente per scene storiche. Insieme alla sfida dell'immagine - una ragazza nuda con due uomini vestiti (inoltre, guardando con fiducia direttamente allo spettatore) - ha così raggiunto una risposta senza precedenti. Il lavoro è ora a Musée D Orsay a Parigi.

Manet painted picture Picnic sull'erba in 1863. Prevailing color of this fine art print is colori scuri and its shape is paesaggio. Original size is 208 x 264. This art piece is located in Musee d'Orsay, Paris, France. This image is printed on demand - you can choose material, size and finishing.

Édouard Manet (1832-1883). French Impressionist painter. He perhaps had the misfortune of starting at a time when the pendulum of history was deviating from traditional academic painting and Impressionism: for his generational peers, he was too progressive and for young painters, he was too traditional. Manet had an innovative spirit that, during his study of old masters (such as Diego Velázquez), he complemented with an excellent painting technique. From the Impressionists, he took a penchant for displaying reality using long expressive brush strokes, studying objects in the open air, and concentrating on working with light and colour. Unlike the Impressionists, however, he did not give up black colours, contours and classical composition. In fact, he did not even want to be associated with the Impressionists – he wanted his paintings to be included independently in Salon exhibitions and avoided the label of Impressionism.


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