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Ninfa e satiro

Claude Lorrain

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Ninfa e satiro

ID: #3737 | TOP 100 | Romanticismo | Architettura

Date: 1641
Medium: oil on canvas
Location: Toledo Museum of Art
Dimensions: 99,7 x 133

Testo tradotto automaticamente. Per favore, scusate eventuali errori!

Danza ninfa e satiro insieme a tre musicisti occupano il fondo del centro dell'immagine. Tuttavia, un bellissimo paesaggio svolge il ruolo principale sulla tela. In dettaglio le piante in primo piano, l'albero impressionante nel mezzo e il fiume sul retro sono uniti in una composizione equilibrata, inzuppata da caloroso sole. La luce illumina il paesaggio dal cuore dell'immagine. Questa non è l'unica immagine di Lorrain che raffigura personaggi mitici o storici, un altro esempio è la ninfa di Egera o Cleopatra che atterrano nel Tarso.

Lorrain painted picture Ninfa e satiro in 1641. Prevailing color of this fine art print is colori scuri and its shape is paesaggio. Original size is 99,7 x 133. This art piece is located in Toledo Museum of Art. This image is printed on demand - you can choose material, size and finishing.

Claude Lorrain (1600-1682). Family name Gelée. French landscape artist. He was the most important author of 17th century landscape paintings. He uncovered the beauty of different times of day - because of this, he painted landscapes with light from the west, east or in different weather conditions. Especially at the beginning, he enjoyed painting landscapes with distant views, distant horizons and elaborate details. In the more mature period of his life, he simplified his composition and tried to capture the atmosphere of the place. He painted pictures with tranquil views of the sea combined with monumental architecture (often ruins of ancient buildings - see his most famous painting The Embarkation of the Queen of Sheba), landscapes and vast groves, all in a poetic and harmonic spirit. His painting techniques had many followers and lasted until the onset of Impressionism.

Ninfa e satiro

Claude Lorrain

Motif size

Total size: 80 x 60 cm

Material


Finishing


Frame & passepartout

colour of passepartout
none

Selected finishing

Matte paper (print)
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Print. The image is printed on the top quality 10-ink HP Z9PS printer on HP matte 270 g / m2 paper. You can choose any size to an accuracy of 1 cm. A margin of 5 cm around the image is added to the size of the motif.

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:
39 €

Shipping date: 2 days

Ninfa e satiro

ID: #3737 | TOP 100 | Romanticismo | Architettura

Date: 1641
Medium: oil on canvas
Location: Toledo Museum of Art
Dimensions: 99,7 x 133

Testo tradotto automaticamente. Per favore, scusate eventuali errori!

Danza ninfa e satiro insieme a tre musicisti occupano il fondo del centro dell'immagine. Tuttavia, un bellissimo paesaggio svolge il ruolo principale sulla tela. In dettaglio le piante in primo piano, l'albero impressionante nel mezzo e il fiume sul retro sono uniti in una composizione equilibrata, inzuppata da caloroso sole. La luce illumina il paesaggio dal cuore dell'immagine. Questa non è l'unica immagine di Lorrain che raffigura personaggi mitici o storici, un altro esempio è la ninfa di Egera o Cleopatra che atterrano nel Tarso.

Lorrain painted picture Ninfa e satiro in 1641. Prevailing color of this fine art print is colori scuri and its shape is paesaggio. Original size is 99,7 x 133. This art piece is located in Toledo Museum of Art. This image is printed on demand - you can choose material, size and finishing.

Claude Lorrain (1600-1682). Family name Gelée. French landscape artist. He was the most important author of 17th century landscape paintings. He uncovered the beauty of different times of day - because of this, he painted landscapes with light from the west, east or in different weather conditions. Especially at the beginning, he enjoyed painting landscapes with distant views, distant horizons and elaborate details. In the more mature period of his life, he simplified his composition and tried to capture the atmosphere of the place. He painted pictures with tranquil views of the sea combined with monumental architecture (often ruins of ancient buildings - see his most famous painting The Embarkation of the Queen of Sheba), landscapes and vast groves, all in a poetic and harmonic spirit. His painting techniques had many followers and lasted until the onset of Impressionism.


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