Le tableau représente une femme debout, de face, vêtue d'une longue robe rose à motifs floraux. Son geste suggère qu'elle est en train de tricoter ou qu'elle tient quelque chose dans ses mains. L'œuvre est de style impressionniste avec des coups de pinceau visibles, ce qui ajoute de la texture et de l'éclat à la peinture. Une pièce avec une fenêtre et des traces de meubles sont visibles à l'arrière-plan, mais les détails sont flous et ne sont pas rendus avec précision. La signature de l'artiste se trouve dans le coin inférieur droit.
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Prevailing color of this fine art print is brun and its shape is portrait. This image is printed on demand - you can choose material, size and finishing.
Jean-Edouard Vuillard (1868-1940) was a French painter of the Classicist period. He graduated from the Academy of Arts in Paris. Together with other artists (Maurice Denis, Pierre Bonnard, Paul Serusier, Ker-Xavier Roussel and Félix Vallotton), he was a member of the Nabis, which in Hebrew means prophet. Their great role model and inspiration was the French painter Paul Gauguin. Because Villard lived his whole life with his mother, a seamstress, many of his works bear the theme of housework. His paintings, such as Two Seamstresses at Work, is complemented by richly decorated wallpaper and women’s dresses. Vuillard painted not only paintings, but also posters - La Patiserie. In 1899, the Nabis unfortunately exhibited for the last time. Vuillard then painted portraits and still lifes for wealthier clientele in his studio. He also undertook depicting intimate scenes, for which his artist friends posed.
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