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Dahlias

ID: #1917 | Impressionnisme | Fleurs

Date: 1876
Medium: oil on canvas
Location: Sterling & Francine Clark Art Institute, Williamstown, USA
Dimensions: 46.2 x 55.9

Le tableau représente une composition florale dans un vase blanc avec des décorations bleues, placé sur une table en bois foncé. Le vase est rempli de diverses fleurs, notamment des fleurs jaunes, violettes, rouges et roses de différentes nuances et formes. La lumière dans le tableau crée une impression de chaleur et concentre l'attention sur la pièce maîtresse de la composition - le vase avec les fleurs. Les alentours du vase sont masqués et permettent aux fleurs de se détacher. Le tableau a un caractère impressionniste, ce qui est évident dans le travail au pinceau.

Ce texte et les mots-clés ont été générés par une intelligence artificielle, merci de votre compréhension !



Morisot painted picture Dahlias in 1876. Prevailing color of this fine art print is sombre and its shape is paysage. Original size is 46.2 x 55.9. This art piece is located in Sterling & Francine Clark Art Institute, Williamstown, USA. This image is printed on demand - you can choose material, size and finishing.

Berthe Morisot (1841 - 1895) French impressionist painter whose personality stands out for her creativity and courage. She received an education in an academic environment, but after meeting with Corot, she began to paint in the open air and got her first success at the Paris Salon. She was influenced by Manet, who finally enabled her to get rid of the weight of academic tradition and brought her to the Impressionist style. For her independent nature, she left the salon and began to participate in Impressionist exhibitions. She painted the most intimate scenes from the lives of ordinary women, city ladies, and maids and for her female perspective on these issues, she received ironic criticism. She used bold techniques for the time (free brushstrokes) and was interested in the effect of light.

Motif size

Total size: 80 x 65 cm

Material


Finishing


Frame & passepartout

colour of passepartout
none

Selected finishing

Matte paper (print)
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Print. The image is printed on the top quality 9-ink HP Z9PS printer on Fomei Cotton Smoooth g / m2 paper. You can choose any size to an accuracy of 1 cm. A margin of 5 cm around the image is added to the size of the motif.

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You can find a detailed description about our finishings here.

:
40 €

Shipping date: 2 days

Dahlias

ID: #1917 | Impressionnisme | Fleurs

Date: 1876
Medium: oil on canvas
Location: Sterling & Francine Clark Art Institute, Williamstown, USA
Dimensions: 46.2 x 55.9

Le tableau représente une composition florale dans un vase blanc avec des décorations bleues, placé sur une table en bois foncé. Le vase est rempli de diverses fleurs, notamment des fleurs jaunes, violettes, rouges et roses de différentes nuances et formes. La lumière dans le tableau crée une impression de chaleur et concentre l'attention sur la pièce maîtresse de la composition - le vase avec les fleurs. Les alentours du vase sont masqués et permettent aux fleurs de se détacher. Le tableau a un caractère impressionniste, ce qui est évident dans le travail au pinceau.

Ce texte et les mots-clés ont été générés par une intelligence artificielle, merci de votre compréhension !



Morisot painted picture Dahlias in 1876. Prevailing color of this fine art print is sombre and its shape is paysage. Original size is 46.2 x 55.9. This art piece is located in Sterling & Francine Clark Art Institute, Williamstown, USA. This image is printed on demand - you can choose material, size and finishing.

Berthe Morisot (1841 - 1895) French impressionist painter whose personality stands out for her creativity and courage. She received an education in an academic environment, but after meeting with Corot, she began to paint in the open air and got her first success at the Paris Salon. She was influenced by Manet, who finally enabled her to get rid of the weight of academic tradition and brought her to the Impressionist style. For her independent nature, she left the salon and began to participate in Impressionist exhibitions. She painted the most intimate scenes from the lives of ordinary women, city ladies, and maids and for her female perspective on these issues, she received ironic criticism. She used bold techniques for the time (free brushstrokes) and was interested in the effect of light.


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