Date: 1882 Medium: oil on canvas Location: Museum of Fine Arts, Boston Dimensions: 81,6 x 60,3
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Monet a commencé à expérimenter avec les compositions de X de 1863 à 1864. Près de vingt ans plus tard, il revient à la composition de ce type, le nettoie et le habille en même temps dans un manteau fragile sophistiqué. Malgré la continuation incertaine du voyage, il a réussi à créer un endroit agréable et utile. À une époque où le voyage vers La Cavee a été peint, seules des figures humaines sont apparues dans les peintures de Monet. Leur absence, cependant, n'est pas du tout nocive - la peinture sans eux invite, séduit, apaise et promesse et l'impression générale est intacte et presque parfaite.
Monet painted picture Voyage à La Cave in 1882. Prevailing color of this fine art print is vif and its shape is paysage. Original size is 81,6 x 60,3. This art piece is located in Museum of Fine Arts, Boston. This image is printed on demand - you can choose material, size and finishing.
Claude Oscar Monet (1840-1926). A native Parisian, who thoroughly developed the idea of Impressionism. Monet almost scientifically studied the effect of light on different objects. He devoted himself to so called transitory states, which quickly led him to work with colour and light, his paintings acting on the viewer from the first impression. His use of open-air painting and objects which were special only because of light opened the way for the beginnings of modern painting. Monet’s Impression, Sunrise (1874) not only gave the name to the whole art movement, but secured Monet a place among the best painters of all times. At one time, he resided in London and created his famous study Houses of Parliament (Monet wondered, How could the English painters paint Parliament when it cannot be seen for the fog?). In the Giverny, which became his favourite retreat after the death of his wife, he painted motifs from his garden and the popular series Water Lilies - the world of the water was as poetic and mysterious as a primordial paradise.
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