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Soleil d'hiver à Lavacourt

Claude Monet

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Soleil d'hiver à Lavacourt

ID: #7631 | Impressionnisme | Paysages

Date: 1880

Le tableau représente un paysage enneigé dans un style impressionniste. Les tons de bleu, de blanc et de diverses nuances de rose et d'orange dominent le tableau, suggérant la saison hivernale, peut-être à l'aube ou au crépuscule, avec un soleil ou une lune au ras de l'eau. Le tableau se concentre sur un paysage ouvert avec quelques arbres et, à première vue, la technique de peinture semble capturer le mouvement et la vitalité de l'atmosphère typique de cette période de l'année.

Ce texte et les mots-clés ont été générés par une intelligence artificielle, merci de votre compréhension !



Monet painted picture Soleil d'hiver à Lavacourt in 1880. Prevailing color of this fine art print is bleu and its shape is paysage. This image is printed on demand - you can choose material, size and finishing.

Claude Oscar Monet (1840-1926). A native Parisian, who thoroughly developed the idea of Impressionism. Monet almost scientifically studied the effect of light on different objects. He devoted himself to so called transitory states, which quickly led him to work with colour and light, his paintings acting on the viewer from the first impression. His use of open-air painting and objects which were special only because of light opened the way for the beginnings of modern painting. Monet’s Impression, Sunrise (1874) not only gave the name to the whole art movement, but secured Monet a place among the best painters of all times. At one time, he resided in London and created his famous study Houses of Parliament (Monet wondered, How could the English painters paint Parliament when it cannot be seen for the fog?). In the Giverny, which became his favourite retreat after the death of his wife, he painted motifs from his garden and the popular series Water Lilies - the world of the water was as poetic and mysterious as a primordial paradise.

Soleil d'hiver à Lavacourt

Claude Monet

Motif size

Total size: 80 x 53 cm

Material


Finishing


Frame & passepartout

colour of passepartout
none

Selected finishing

Matte paper (print)
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Print. The image is printed on the top quality 10-ink HP Z9PS printer on HP matte 270 g / m2 paper. You can choose any size to an accuracy of 1 cm. A margin of 5 cm around the image is added to the size of the motif.

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You can find a detailed description about our finishings here.

:
37 €

Shipping date: 2 days

Soleil d'hiver à Lavacourt

ID: #7631 | Impressionnisme | Paysages

Date: 1880

Le tableau représente un paysage enneigé dans un style impressionniste. Les tons de bleu, de blanc et de diverses nuances de rose et d'orange dominent le tableau, suggérant la saison hivernale, peut-être à l'aube ou au crépuscule, avec un soleil ou une lune au ras de l'eau. Le tableau se concentre sur un paysage ouvert avec quelques arbres et, à première vue, la technique de peinture semble capturer le mouvement et la vitalité de l'atmosphère typique de cette période de l'année.

Ce texte et les mots-clés ont été générés par une intelligence artificielle, merci de votre compréhension !



Monet painted picture Soleil d'hiver à Lavacourt in 1880. Prevailing color of this fine art print is bleu and its shape is paysage. This image is printed on demand - you can choose material, size and finishing.

Claude Oscar Monet (1840-1926). A native Parisian, who thoroughly developed the idea of Impressionism. Monet almost scientifically studied the effect of light on different objects. He devoted himself to so called transitory states, which quickly led him to work with colour and light, his paintings acting on the viewer from the first impression. His use of open-air painting and objects which were special only because of light opened the way for the beginnings of modern painting. Monet’s Impression, Sunrise (1874) not only gave the name to the whole art movement, but secured Monet a place among the best painters of all times. At one time, he resided in London and created his famous study Houses of Parliament (Monet wondered, How could the English painters paint Parliament when it cannot be seen for the fog?). In the Giverny, which became his favourite retreat after the death of his wife, he painted motifs from his garden and the popular series Water Lilies - the world of the water was as poetic and mysterious as a primordial paradise.


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