San Giorgio Maggiore, Venise

ID: #7313 | Impressionnisme | Architecture

Il s'agit d'une peinture impressionniste représentant une scène aquatique avec deux gondoles au premier plan et une vue floue de l'architecture au milieu. Nous avons ici l'impression du soleil et des reflets de la lumière sur la surface, ce qui confère à l'ensemble de l'œuvre une atmosphère de tranquillité et de charme. Les couleurs dominantes sont le bleu, le vert et le violet, donnant l'impression d'une matinée ou d'une soirée fraîche.
Créé par l'intelligence artificielle, soyez indulgent.

Prevailing color of this fine art print is bleu and its shape is paysage. This image is printed on demand - you can choose material, size and finishing.

Claude Oscar Monet (1840-1926). A native Parisian, who thoroughly developed the idea of Impressionism. Monet almost scientifically studied the effect of light on different objects. He devoted himself to so called transitory states, which quickly led him to work with colour and light, his paintings acting on the viewer from the first impression. His use of open-air painting and objects which were special only because of light opened the way for the beginnings of modern painting. Monet’s Impression, Sunrise (1874) not only gave the name to the whole art movement, but secured Monet a place among the best painters of all times. At one time, he resided in London and created his famous study Houses of Parliament (Monet wondered, How could the English painters paint Parliament when it cannot be seen for the fog?). In the Giverny, which became his favourite retreat after the death of his wife, he painted motifs from his garden and the popular series Water Lilies - the world of the water was as poetic and mysterious as a primordial paradise.