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ID: #3748 | Impressionnisme | Architecture

Le tableau présente une scène impressionniste à l'effet brumeux et mystérieux. Au milieu se trouve un couloir bordé de plantes vertes, au bout duquel se trouve un homme de grande taille qui fait face au spectateur. Au début du couloir se trouve un lustre illuminé et on peut également voir la silhouette d'une femme assise à une table. Le tableau est riche en couleurs et en textures et évoque une atmosphère rêveuse et paisible.
Créé par une intelligence artificielle, veuillez faire preuve d'indulgence.

Prevailing color of this fine art print is vert and its shape is portrait. This image is printed on demand - you can choose material, size and finishing.

Claude Oscar Monet (1840-1926). A native Parisian, who thoroughly developed the idea of Impressionism. Monet almost scientifically studied the effect of light on different objects. He devoted himself to so called transitory states, which quickly led him to work with colour and light, his paintings acting on the viewer from the first impression. His use of open-air painting and objects which were special only because of light opened the way for the beginnings of modern painting. Monet’s Impression, Sunrise (1874) not only gave the name to the whole art movement, but secured Monet a place among the best painters of all times. At one time, he resided in London and created his famous study Houses of Parliament (Monet wondered, How could the English painters paint Parliament when it cannot be seen for the fog?). In the Giverny, which became his favourite retreat after the death of his wife, he painted motifs from his garden and the popular series Water Lilies - the world of the water was as poetic and mysterious as a primordial paradise.