Cathédrale de Rouen (soleil)

ID: #3440 | Impressionnisme | Architecture

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Monet a souvent peint certains motifs à différents heures de la journée ou dans différentes conditions d'éclairage. La série d'études de la cathédrale Rouen, qui se compose de cinquante peintures, ne fait pas exception. À ces fins, Monet a même loué une pièce directement en face de la façade occidentale. Il a réalisé ses impressions avec de petits coups de pinceau, qui exprimaient des différences d'allumage, d'ombres et de changement de lumière sur les détails de la façade. Les images de cette série se distinguent surtout lorsqu'elles sont vues à une plus grande distance, car ce n'est que de cette manière que les petits coussinets de couleur sont connectés à un ensemble plus élevé.

Prevailing color of this fine art print is vif and its shape is portrait. This image is printed on demand - you can choose material, size and finishing.

Claude Oscar Monet (1840-1926). A native Parisian, who thoroughly developed the idea of Impressionism. Monet almost scientifically studied the effect of light on different objects. He devoted himself to so called transitory states, which quickly led him to work with colour and light, his paintings acting on the viewer from the first impression. His use of open-air painting and objects which were special only because of light opened the way for the beginnings of modern painting. Monet’s Impression, Sunrise (1874) not only gave the name to the whole art movement, but secured Monet a place among the best painters of all times. At one time, he resided in London and created his famous study Houses of Parliament (Monet wondered, How could the English painters paint Parliament when it cannot be seen for the fog?). In the Giverny, which became his favourite retreat after the death of his wife, he painted motifs from his garden and the popular series Water Lilies - the world of the water was as poetic and mysterious as a primordial paradise.