Bateaux rouges à Argenteuil

ID: #1277 | TOP 100 | Impressionnisme | Mer et navires

Date: 1875
Medium: oil on canvas
Location: private collection
Dimensions: 82.5 x 61.8

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Ce n'est pas une coïncidence que Monet ait choisie pour cette image spécifiquement archtenteuil - dans les années 1870, il a passé la plupart de son temps ici. Argenteuil est une ville située sur la rivière Seine dix-sept milles de Paris. Bien que Monet semble être peint à partir du rivage du tableau, en fait, il allait sur le navire à cause de ce tableau. Bien qu'il s'agisse d'une fumée typique d'usines pour argenteuil, Monet met l'accent sur l'apparence et la caractéristique récréative de la ville. Comme la radiation a montré lors de l'exploration de l'image, le peintre a retravaillé son travail plusieurs fois. Fait intéressant, dans la partie gauche de l'image, il y avait à l'origine six canards à voile, mais Monet a submergé l'un d'eux, similaire à plusieurs autres petits détails.

Monet painted picture Bateaux rouges à Argenteuil in 1875. Prevailing color of this fine art print is bleu and its shape is paysage. Original size is 82.5 x 61.8. This art piece is located in a private collection This image is printed on demand - you can choose material, size and finishing.

Claude Oscar Monet (1840-1926). A native Parisian, who thoroughly developed the idea of Impressionism. Monet almost scientifically studied the effect of light on different objects. He devoted himself to so called transitory states, which quickly led him to work with colour and light, his paintings acting on the viewer from the first impression. His use of open-air painting and objects which were special only because of light opened the way for the beginnings of modern painting. Monet’s Impression, Sunrise (1874) not only gave the name to the whole art movement, but secured Monet a place among the best painters of all times. At one time, he resided in London and created his famous study Houses of Parliament (Monet wondered, How could the English painters paint Parliament when it cannot be seen for the fog?). In the Giverny, which became his favourite retreat after the death of his wife, he painted motifs from his garden and the popular series Water Lilies - the world of the water was as poetic and mysterious as a primordial paradise.