Bergère des oies

ID: #1886 | Le réalisme | Portraits

Date: 1856
Medium: oil on canvas
Location: National Museum Wales
Dimensions: 33 x 24.8

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La passion de la vision désir et mélancolique de la distance contraste fortement avec l'oie vivante et animée, courir derrière elle et nager dans l'eau. En arrière-plan se trouve les maisons de Gruchy en Normandie, où le mil est né. Millet a créé cette image après sa visite à Gruch après près de dix ans. Le travail consiste à ressentir une nostalgie personnelle considérable, que le peintre transmet non seulement au visage et à la figure du pasteur, mais aussi aux couleurs de toile sincèrement réglées.

Millet painted picture Bergère des oies in 1856. Prevailing color of this fine art print is vert and its shape is portrait. Original size is 33 x 24.8. This art piece is located in National Museum Wales. This image is printed on demand - you can choose material, size and finishing.

Jean-Francois Millet (1814-1875). At the outset of his career, he refused the stereotyped concept of painting and became a free portrait painter. He influenced Impressionists through his selection of topics: he painted simple people, poor farmers and the humility of hardworking people. He loved the countryside where he lived, devoted a lot of energy for rural people. Millet’s paintings are characterized by an interesting, gold and melancholy light that gives his landscapes a religious character. The Angelus - church bells in the distance strike as two people say a prayer of thanks for the harvest (ironically, the Louvre auctioned this painting for an astronomical sum). Gleaners. The monumentality of characters achieved through simplification of the environment (which was later used by Seurat) is clamped from above by the horizon. The image probably expresses the oppression of peasants (especially women without voting rights) after 1848.