Âge : couple de brutes

ID: #3007 | Peintres néerlandais | Personnes

Medium: oil on board
Location: Liege University, Liege, Belgium
Dimensions: 76.2 x 64

Le tableau représente une scène datant apparemment du XVIe ou du XVIIe siècle, dans laquelle un homme vêtu d'une robe munichoise se penche sur une femme, lui tient le menton et tente de l'embrasser. L'expression de la femme est plutôt embarrassée et ironique. Sur la table devant eux se trouvent plusieurs plats, dont des tranches de citron, du pain et peut-être des huîtres ou d'autres fruits de mer. À l'arrière-plan, on aperçoit le visage impassible d'un homme.
Créé par une intelligence artificielle, soyez indulgents.

Prevailing color of this fine art print is sombre and its shape is portrait. Original size is 76.2 x 64. This art piece is located in Liege University, Liege, Belgium. This image is printed on demand - you can choose material, size and finishing.

Quentin Massys (1464-1530) A Dutch master who was born into a family of blacksmiths and watchmakers. According to the wishes of his father, he also became a blacksmith. It is said, however, that he fell in love with the daughter of a painter from Antwerp and feared that his chosen love would not want a simple blacksmith. On the other hand, it is also said that he was too weak for the hard work of a blacksmith. Before he left for his love, he allegedly forged a well in front of the Antwerp cathedral. He painted mostly paintings with religious themes - Jesus Chasing the Merchants from the Temple. His work, such as the painting Ill-Matched Marriage s, is so heavily melancholy and grotesquely bizarre that it was often misunderstood. He was a good friend of Durer. Several of his relatives died because of their faith - his sister was buried alive, her husband beheaded. Massys died in Antwerp and, in his honour, asteroid 9569 was named Quentinmatsijs.