Date: -7790 Medium: oil on canvas Location: Alte Nationalgalerie, Berlin Dimensions: 150 x 115
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Le scénario a lieu au Conservatoire de la rue d'Amsterdam à Paris, que Manet a utilisé comme propre studio pendant 9 mois en 1878 et 1879. C'est un double Portrait Couple à la mode et attrayant. Ce sont des amis de Manet, couple Guillemet, qui possédait un magasin de vêtements. Le fait qu'ils soient conjoints souligne leurs anneaux avec la proximité de leurs mains, ce qui indique une certaine intimité de leur relation. La femme est au centre de l'attention du spectateur, à la fois en raison de son placement et de l'expression colorée de sa robe. La séparation physique du couple créé par le banc et le lien insuffisant avec le spectateur a été la principale source de critiques modernes. L'œuvre a été exposée en 1879 dans le salon de Paris et a été décrite comme étonnamment conservatrice sur Manet.
Prevailing color of this fine art print is sombre and its shape is paysage. Original size is 150 x 115. This art piece is located in Alte Nationalgalerie, Berlin. This image is printed on demand - you can choose material, size and finishing.
Édouard Manet (1832-1883). French Impressionist painter. He perhaps had the misfortune of starting at a time when the pendulum of history was deviating from traditional academic painting and Impressionism: for his generational peers, he was too progressive and for young painters, he was too traditional. Manet had an innovative spirit that, during his study of old masters (such as Diego Velázquez), he complemented with an excellent painting technique. From the Impressionists, he took a penchant for displaying reality using long expressive brush strokes, studying objects in the open air, and concentrating on working with light and colour. Unlike the Impressionists, however, he did not give up black colours, contours and classical composition. In fact, he did not even want to be associated with the Impressionists – he wanted his paintings to be included independently in Salon exhibitions and avoided the label of Impressionism.
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