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Nympha Egeria

Claude Lorrain

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Nympha Egeria

ID: #1839 | TOP 200 | Romantisme | Paysages

Date: 1669
Medium: oil on board
Location: Museo e Gallerie Nazionali di Capodimonte, Naples, Italy

Texte traduit automatiquement. Veuillez excuser toutes les erreurs!

L'image de Nymphe Egeria est une autre des images de Lorrain dépeignant la scène de la mythologie romaine. Comme dans le travail de Nymphe et de Satyr Lorrain, il utilise principalement des paysages magnifiquement rendus, qui est complété par la composition par des caractères au bas de l'image. Ici aussi, nous pouvons profiter de l'architecture ancienne, des arbres sophistiqués et de la surface de l'eau. Selon les mythes, la nymphe d'Egeria était l'épouse de l'un des premiers rois de Rome, un Numa. Après sa mort entourée de chagrin, Egeria a quitté la ville légendaire et a été tirée par le chagrin a été transformée en printemps. Selon le mythe, la déesse des sources et des lacs est devenue.

Lorrain painted picture Nympha Egeria in 1669. Prevailing color of this fine art print is sombre and its shape is paysage. This art piece is located in Museo e Gallerie Nazionali di Capodimonte, Naples, Italy. This image is printed on demand - you can choose material, size and finishing.

Claude Lorrain (1600-1682). Family name Gelée. French landscape artist. He was the most important author of 17th century landscape paintings. He uncovered the beauty of different times of day - because of this, he painted landscapes with light from the west, east or in different weather conditions. Especially at the beginning, he enjoyed painting landscapes with distant views, distant horizons and elaborate details. In the more mature period of his life, he simplified his composition and tried to capture the atmosphere of the place. He painted pictures with tranquil views of the sea combined with monumental architecture (often ruins of ancient buildings - see his most famous painting The Embarkation of the Queen of Sheba), landscapes and vast groves, all in a poetic and harmonic spirit. His painting techniques had many followers and lasted until the onset of Impressionism.

Nympha Egeria

Claude Lorrain

Motif size

Total size: 80 x 62 cm

Material


Finishing


Frame & passepartout

colour of passepartout
none

Selected finishing

Matte paper (print)
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Print. The image is printed on the top quality 10-ink HP Z9PS printer on HP matte 270 g / m2 paper. You can choose any size to an accuracy of 1 cm. A margin of 5 cm around the image is added to the size of the motif.

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:
40 €

Shipping date: 2 days

Nympha Egeria

ID: #1839 | TOP 200 | Romantisme | Paysages

Date: 1669
Medium: oil on board
Location: Museo e Gallerie Nazionali di Capodimonte, Naples, Italy

Texte traduit automatiquement. Veuillez excuser toutes les erreurs!

L'image de Nymphe Egeria est une autre des images de Lorrain dépeignant la scène de la mythologie romaine. Comme dans le travail de Nymphe et de Satyr Lorrain, il utilise principalement des paysages magnifiquement rendus, qui est complété par la composition par des caractères au bas de l'image. Ici aussi, nous pouvons profiter de l'architecture ancienne, des arbres sophistiqués et de la surface de l'eau. Selon les mythes, la nymphe d'Egeria était l'épouse de l'un des premiers rois de Rome, un Numa. Après sa mort entourée de chagrin, Egeria a quitté la ville légendaire et a été tirée par le chagrin a été transformée en printemps. Selon le mythe, la déesse des sources et des lacs est devenue.

Lorrain painted picture Nympha Egeria in 1669. Prevailing color of this fine art print is sombre and its shape is paysage. This art piece is located in Museo e Gallerie Nazionali di Capodimonte, Naples, Italy. This image is printed on demand - you can choose material, size and finishing.

Claude Lorrain (1600-1682). Family name Gelée. French landscape artist. He was the most important author of 17th century landscape paintings. He uncovered the beauty of different times of day - because of this, he painted landscapes with light from the west, east or in different weather conditions. Especially at the beginning, he enjoyed painting landscapes with distant views, distant horizons and elaborate details. In the more mature period of his life, he simplified his composition and tried to capture the atmosphere of the place. He painted pictures with tranquil views of the sea combined with monumental architecture (often ruins of ancient buildings - see his most famous painting The Embarkation of the Queen of Sheba), landscapes and vast groves, all in a poetic and harmonic spirit. His painting techniques had many followers and lasted until the onset of Impressionism.


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