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Bord de mer

Claude Lorrain

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Bord de mer

ID: #1836 | Romantisme | Mer et navires

Date: 1639
Medium: oil on canvas
Location: Cincinnati Art Museum, Ohio, USA
Dimensions: 78.1 x 101

La peinture représente un paysage pittoresque au coucher du soleil, avec une vue sur la mer et le bâtiment de la forteresse. Au premier plan, un groupe de personnes se trouve sur le rivage, certaines dans des bateaux, d'autres assises ou debout sur le rivage. Un grand arbre domine le paysage et les ombres de la scène suggèrent la fin de l'après-midi. Les vêtements historiques et le style architectural du bâtiment suggèrent qu'il s'agit d'une scène de l'ère pré-moderne.
Créé par une intelligence artificielle, veuillez faire preuve d'indulgence.

Lorrain painted picture Bord de mer in 1639. Prevailing color of this fine art print is vif and its shape is paysage. Original size is 78.1 x 101. This art piece is located in Cincinnati Art Museum, Ohio, USA. This image is printed on demand - you can choose material, size and finishing.

Claude Lorrain (1600-1682). Family name Gelée. French landscape artist. He was the most important author of 17th century landscape paintings. He uncovered the beauty of different times of day - because of this, he painted landscapes with light from the west, east or in different weather conditions. Especially at the beginning, he enjoyed painting landscapes with distant views, distant horizons and elaborate details. In the more mature period of his life, he simplified his composition and tried to capture the atmosphere of the place. He painted pictures with tranquil views of the sea combined with monumental architecture (often ruins of ancient buildings - see his most famous painting The Embarkation of the Queen of Sheba), landscapes and vast groves, all in a poetic and harmonic spirit. His painting techniques had many followers and lasted until the onset of Impressionism.

Bord de mer

Claude Lorrain

Motif size

Total size: 80 x 60 cm

Material


Finishing


Frame & passepartout

colour of passepartout
none

Selected finishing

Matte paper (print)
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Print. The image is printed on the top quality 10-ink HP Z9PS printer on HP matte 270 g / m2 paper. You can choose any size to an accuracy of 1 cm. A margin of 5 cm around the image is added to the size of the motif.

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You can find a detailed description about our finishings here.

:
39 €

Shipping date: 2 days

Bord de mer

ID: #1836 | Romantisme | Mer et navires

Date: 1639
Medium: oil on canvas
Location: Cincinnati Art Museum, Ohio, USA
Dimensions: 78.1 x 101

La peinture représente un paysage pittoresque au coucher du soleil, avec une vue sur la mer et le bâtiment de la forteresse. Au premier plan, un groupe de personnes se trouve sur le rivage, certaines dans des bateaux, d'autres assises ou debout sur le rivage. Un grand arbre domine le paysage et les ombres de la scène suggèrent la fin de l'après-midi. Les vêtements historiques et le style architectural du bâtiment suggèrent qu'il s'agit d'une scène de l'ère pré-moderne.
Créé par une intelligence artificielle, veuillez faire preuve d'indulgence.

Lorrain painted picture Bord de mer in 1639. Prevailing color of this fine art print is vif and its shape is paysage. Original size is 78.1 x 101. This art piece is located in Cincinnati Art Museum, Ohio, USA. This image is printed on demand - you can choose material, size and finishing.

Claude Lorrain (1600-1682). Family name Gelée. French landscape artist. He was the most important author of 17th century landscape paintings. He uncovered the beauty of different times of day - because of this, he painted landscapes with light from the west, east or in different weather conditions. Especially at the beginning, he enjoyed painting landscapes with distant views, distant horizons and elaborate details. In the more mature period of his life, he simplified his composition and tried to capture the atmosphere of the place. He painted pictures with tranquil views of the sea combined with monumental architecture (often ruins of ancient buildings - see his most famous painting The Embarkation of the Queen of Sheba), landscapes and vast groves, all in a poetic and harmonic spirit. His painting techniques had many followers and lasted until the onset of Impressionism.


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