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Groupe élevé

Paul Klee

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Groupe élevé

ID: #1781 | Expresionnisme | Abstrait

Date: 1931
Medium: watercolours, paper
Location: Frederick R. Weisman Art Foundation, Los Angeles, CA, USA
Dimensions: 63.5 x 48.3

L'image montre une peinture ou une impression abstraite qui comprend des figures humaines stylisées se tenant côte à côte ou se chevauchant. Les figures sont délimitées par des lignes noires qui créent des contours simples de visages et de corps. En arrière-plan, on peut voir un motif de couleur qui ressemble à une mosaïque pixélisée ou à une impression qui ressemble à un motif de points. Les couleurs sont variées mais appliquées subtilement, créant une esthétique calme.

Ce texte et les mots-clés ont été générés par une intelligence artificielle, merci de votre compréhension !



Klee painted picture Groupe élevé in 1931. Prevailing color of this fine art print is vif and its shape is portrait. Original size is 63.5 x 48.3. This art piece is located in Frederick R. Weisman Art Foundation, Los Angeles, CA, USA. This image is printed on demand - you can choose material, size and finishing.

Paul Klee (1879-1940). From childhood, he was interested in both music and painting, but as is evident, finally decided on painting - his paintings are among prized artworks. In Munich, he met Kandinsky, Franz Marc, and other artists of the then avant-garde. He met also his future wife, pianist Lily Stumpf. His work is associated with a expressionism, cubism, and surrealism. He was one of the four Die Blaue Vier (with Kandinsky, Feininger and Jawlensky). He taught at Bauhaus and the Düsseldorf Academy until 1933, when the Nazis declared his paintings a figment of a sick soul and with labelled his whole creation as degenerate art. Klee was extremely hardworking and after his death, he left behind 8926 works in Switzerland. Klee’s paintings are fragile, with a sensitive use of color (his colour mixing ranks among the world’s best) and frequent references to poetry, music and dreams.

Groupe élevé

Paul Klee

Motif size

Total size: 59 x 80 cm

Material


Finishing


Frame & passepartout

colour of passepartout
none

Selected finishing

Matte paper (print)
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Print. The image is printed on the top quality 9-ink HP Z9PS printer on Fomei Cotton Smoooth g / m2 paper. You can choose any size to an accuracy of 1 cm. A margin of 5 cm around the image is added to the size of the motif.

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You can find a detailed description about our finishings here.

:
39 €

Shipping date: 2 days

Groupe élevé

ID: #1781 | Expresionnisme | Abstrait

Date: 1931
Medium: watercolours, paper
Location: Frederick R. Weisman Art Foundation, Los Angeles, CA, USA
Dimensions: 63.5 x 48.3

L'image montre une peinture ou une impression abstraite qui comprend des figures humaines stylisées se tenant côte à côte ou se chevauchant. Les figures sont délimitées par des lignes noires qui créent des contours simples de visages et de corps. En arrière-plan, on peut voir un motif de couleur qui ressemble à une mosaïque pixélisée ou à une impression qui ressemble à un motif de points. Les couleurs sont variées mais appliquées subtilement, créant une esthétique calme.

Ce texte et les mots-clés ont été générés par une intelligence artificielle, merci de votre compréhension !



Klee painted picture Groupe élevé in 1931. Prevailing color of this fine art print is vif and its shape is portrait. Original size is 63.5 x 48.3. This art piece is located in Frederick R. Weisman Art Foundation, Los Angeles, CA, USA. This image is printed on demand - you can choose material, size and finishing.

Paul Klee (1879-1940). From childhood, he was interested in both music and painting, but as is evident, finally decided on painting - his paintings are among prized artworks. In Munich, he met Kandinsky, Franz Marc, and other artists of the then avant-garde. He met also his future wife, pianist Lily Stumpf. His work is associated with a expressionism, cubism, and surrealism. He was one of the four Die Blaue Vier (with Kandinsky, Feininger and Jawlensky). He taught at Bauhaus and the Düsseldorf Academy until 1933, when the Nazis declared his paintings a figment of a sick soul and with labelled his whole creation as degenerate art. Klee was extremely hardworking and after his death, he left behind 8926 works in Switzerland. Klee’s paintings are fragile, with a sensitive use of color (his colour mixing ranks among the world’s best) and frequent references to poetry, music and dreams.


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