Bon endroit pour le poisson

ID: #1787 | TOP 200 | Expresionnisme | Abstrait

Date: 1922
Medium: watercolours, paper
Location: private collection
Dimensions: 25 x 39.5

L'image présente une scène abstraite avec divers éléments exprimant une scène surréaliste. Au centre, une figure ressemblant à une fusée est représentée. Cette fusée est placée sur une sorte de piédestal et semble prête à décoller. Autour de la fusée se trouvent des personnages insolites aux corps circulaires et aux visages diversement positionnés, évoquant des figures fantastiques. L'arrière-plan est constitué de rayures de différentes nuances de bleu et de gris, créant une impression d'environnement spatial ou océanique.
Créé par une intelligence artificielle, soyez indulgents.

Klee painted picture Bon endroit pour le poisson in 1922. Prevailing color of this fine art print is bleu and its shape is paysage. Original size is 25 x 39.5. This art piece is located in a private collection This image is printed on demand - you can choose material, size and finishing.

Paul Klee (1879-1940). From childhood, he was interested in both music and painting, but as is evident, finally decided on painting - his paintings are among prized artworks. In Munich, he met Kandinsky, Franz Marc, and other artists of the then avant-garde. He met also his future wife, pianist Lily Stumpf. His work is associated with a expressionism, cubism, and surrealism. He was one of the four Die Blaue Vier (with Kandinsky, Feininger and Jawlensky). He taught at Bauhaus and the Düsseldorf Academy until 1933, when the Nazis declared his paintings a figment of a sick soul and with labelled his whole creation as degenerate art. Klee was extremely hardworking and after his death, he left behind 8926 works in Switzerland. Klee’s paintings are fragile, with a sensitive use of color (his colour mixing ranks among the world’s best) and frequent references to poetry, music and dreams.