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Quai de Bercy à Paris

Jean Guillaumin

Nos propositions de conception:
simplicité
élégance
moderne
vintage
classique


Quai de Bercy à Paris

ID: #3027 | Impressionnisme | Mer et navires

Date: 1874
Medium: oil on canvas
Location: Hamburger Kunsthalle, Hamburg, Germany
Dimensions: 56.1 x 72.4

La peinture représente une scène fluviale vivante avec, au centre, une drague à vapeur. L'excavatrice se tient dans l'eau et émet de la fumée à partir d'une cheminée, ce qui suggère son activité. Sur la berge, plusieurs personnages se livrent à diverses activités et deux chevaux sont prêts à travailler. Il y a également de petites embarcations qui flottent sur la rivière ou qui sont attachées à la rive. L'arrière-plan du tableau est une silhouette de ville avec d'autres bateaux et un ciel chargé de nuages.
Créé par une intelligence artificielle, veuillez faire preuve d'indulgence.

Guillaumin painted picture Quai de Bercy à Paris in 1874. Prevailing color of this fine art print is bleu and its shape is paysage. Original size is 56.1 x 72.4. This art piece is located in Hamburger Kunsthalle, Hamburg, Germany. This image is printed on demand - you can choose material, size and finishing.

Jean-Baptiste Armand Guillaumin (1841-1927). One of the most active French impressionists, although, after a time, he was almost forgotten. At the Academie Suisse, he came to know Pissarro, Monet, Cezanne, Renoir, and others, and from the beginning he learned the Impressionist painting technique. Like others, he was very interested in the effects of light and the environment. After the Salon rejected him in 1863, he quit his job and devoted himself solely to painting. His work was very daring, and even Impressionists themselves did not want to let him amongst them out of fear of public reaction to his paintings. After winning a significant sum in a lottery, he developed his style to the fullest, accepting the influence of pointillism from Signac and Seurat and the first waves of modernism.

Quai de Bercy à Paris

Jean Guillaumin

Motif size

Total size: 80 x 63 cm

Material


Finishing


Frame & passepartout

colour of passepartout
none

Selected finishing

Matte paper (print)
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Print. The image is printed on the top quality 9-ink HP Z9PS printer on Fomei Cotton Smoooth g / m2 paper. You can choose any size to an accuracy of 1 cm. A margin of 5 cm around the image is added to the size of the motif.

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You can find a detailed description about our finishings here.

:
40 €

Shipping date: 2 days

Quai de Bercy à Paris

ID: #3027 | Impressionnisme | Mer et navires

Date: 1874
Medium: oil on canvas
Location: Hamburger Kunsthalle, Hamburg, Germany
Dimensions: 56.1 x 72.4

La peinture représente une scène fluviale vivante avec, au centre, une drague à vapeur. L'excavatrice se tient dans l'eau et émet de la fumée à partir d'une cheminée, ce qui suggère son activité. Sur la berge, plusieurs personnages se livrent à diverses activités et deux chevaux sont prêts à travailler. Il y a également de petites embarcations qui flottent sur la rivière ou qui sont attachées à la rive. L'arrière-plan du tableau est une silhouette de ville avec d'autres bateaux et un ciel chargé de nuages.
Créé par une intelligence artificielle, veuillez faire preuve d'indulgence.

Guillaumin painted picture Quai de Bercy à Paris in 1874. Prevailing color of this fine art print is bleu and its shape is paysage. Original size is 56.1 x 72.4. This art piece is located in Hamburger Kunsthalle, Hamburg, Germany. This image is printed on demand - you can choose material, size and finishing.

Jean-Baptiste Armand Guillaumin (1841-1927). One of the most active French impressionists, although, after a time, he was almost forgotten. At the Academie Suisse, he came to know Pissarro, Monet, Cezanne, Renoir, and others, and from the beginning he learned the Impressionist painting technique. Like others, he was very interested in the effects of light and the environment. After the Salon rejected him in 1863, he quit his job and devoted himself solely to painting. His work was very daring, and even Impressionists themselves did not want to let him amongst them out of fear of public reaction to his paintings. After winning a significant sum in a lottery, he developed his style to the fullest, accepting the influence of pointillism from Signac and Seurat and the first waves of modernism.


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