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Sorcières

Francisco Goya

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Sorcières

ID: #1742 | Romantisme | Personnes

Date: 1798
Medium: oil on canvas
Location: Museo Lazaro Galdiano, Madrid, Španělsko

La peinture représente une scène nocturne avec, dans la partie centrale, une créature caprine se tenant sur ses pattes arrière. Ses cornes sont ornées de branches et de feuilles. Autour d'elle, des personnes sont représentées dans diverses positions - certaines assises, d'autres agenouillées - et semblent vénérer ou sacrifier la créature. Un mélange de figures humaines et surnaturelles est représenté, ce qui suggère la possibilité d'un rituel ou d'une cérémonie. Un croissant de lune brille dans le ciel et l'arrière-plan est sombre, à l'exception d'une faible lumière au loin.
Créé par une intelligence artificielle, veuillez faire preuve d'indulgence.

Goya painted picture Sorcières in 1798. Prevailing color of this fine art print is sombre and its shape is portrait. This art piece is located in Museo Lazaro Galdiano, Madrid, Španělsko. This image is printed on demand - you can choose material, size and finishing.

Francisco de Goya (1746-1828). Born in Spain, the son of a goldsmith. His work is characterized by loose brush strokes, an unprecedented release from the obligation to draw exactly according to reality. His works are among the precursors of many future artistic directions (Realism, Romanticism, Impressionism, Expressionism, and Surrealism). He became the court painter to Charles IV and a member of the Academy. Among Goya’s most famous works are the cycle Disasters of War (eg. The Third of May 1808, a picture painted during the Spanish revolution against France, in which Goya utilises his typical brush strokes and plays with light, clearly showing on which side he stands) and portraits Clothed Maja and Naked Maja. The nude was, for the time, sensual, natural, and without unnecessary decorations (flowers, nature, silk). It is no coincidence that, for this painting, Goya was prosecuted by the Inquisition.

Sorcières

Francisco Goya

Motif size

Total size: 63 x 80 cm

Material


Finishing


Frame & passepartout

colour of passepartout
none

Selected finishing

Matte paper (print)
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Print. The image is printed on the top quality 9-ink HP Z9PS printer on Fomei Cotton Smoooth g / m2 paper. You can choose any size to an accuracy of 1 cm. A margin of 5 cm around the image is added to the size of the motif.

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You can find a detailed description about our finishings here.

:
40 €

Shipping date: 2 days

Sorcières

ID: #1742 | Romantisme | Personnes

Date: 1798
Medium: oil on canvas
Location: Museo Lazaro Galdiano, Madrid, Španělsko

La peinture représente une scène nocturne avec, dans la partie centrale, une créature caprine se tenant sur ses pattes arrière. Ses cornes sont ornées de branches et de feuilles. Autour d'elle, des personnes sont représentées dans diverses positions - certaines assises, d'autres agenouillées - et semblent vénérer ou sacrifier la créature. Un mélange de figures humaines et surnaturelles est représenté, ce qui suggère la possibilité d'un rituel ou d'une cérémonie. Un croissant de lune brille dans le ciel et l'arrière-plan est sombre, à l'exception d'une faible lumière au loin.
Créé par une intelligence artificielle, veuillez faire preuve d'indulgence.

Goya painted picture Sorcières in 1798. Prevailing color of this fine art print is sombre and its shape is portrait. This art piece is located in Museo Lazaro Galdiano, Madrid, Španělsko. This image is printed on demand - you can choose material, size and finishing.

Francisco de Goya (1746-1828). Born in Spain, the son of a goldsmith. His work is characterized by loose brush strokes, an unprecedented release from the obligation to draw exactly according to reality. His works are among the precursors of many future artistic directions (Realism, Romanticism, Impressionism, Expressionism, and Surrealism). He became the court painter to Charles IV and a member of the Academy. Among Goya’s most famous works are the cycle Disasters of War (eg. The Third of May 1808, a picture painted during the Spanish revolution against France, in which Goya utilises his typical brush strokes and plays with light, clearly showing on which side he stands) and portraits Clothed Maja and Naked Maja. The nude was, for the time, sensual, natural, and without unnecessary decorations (flowers, nature, silk). It is no coincidence that, for this painting, Goya was prosecuted by the Inquisition.


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