Annonciation

ID: #3452 | Renaissance | Religieux

Date: 12571
Medium: oil on canvas
Location: National Gallery of Art, Washington DC, USA
Dimensions: 34,1 x 90,2

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L'inspiration pour créer une image de l'Annonciation est devenue une couche biblique de proclamation de la naissance de Jésus de Saint-Luc. À l'origine, la toile est susceptible d'être triptyque. Tous les objets de l'image fonctionnent, comme s'ils avaient réellement leur poids et une surface robuste. Jan van Eyck a créé un jeu de lumière et d'ombre incroyable, et en plus d'une manière incroyable, il a réussi à indiquer les différences entre les matériaux lisses et durs. L'œuvre est entrelacée de symboles religieux qui parlent à travers chaque détail et améliorent le message de l'annonciation et une certaine continuité entre les anciennes et les nouvelles lois.

Eyck painted picture Annonciation in 12571. Prevailing color of this fine art print is vif and its shape is grand. Original size is 34,1 x 90,2. This art piece is located in National Gallery of Art, Washington DC, USA. This image is printed on demand - you can choose material, size and finishing.

Jan van Eyck or Johannes de Eyck (ca. 1385-1441). Dutch painter considered one of the greatest painters of the late Middle Ages. From the age of 30, he began to emphasize veracity in his paintings; this broke the conventions of the former Gothic style, which glamorized reality. His naturalism and realism soon grew into the Flemish school of painting, to which belonged painters such as Bosch, Peter Brueghel, van Dyck or Rembrandt. Eyck experimented with technique and was interested in the theory of light (therefore, he began to use brighter, more saturated colours). He was behind the major improvements and expansion in oil paints. His The Arnolfini Portrait or Portrait of Giovanni Arnolfini and his wife is among the most original works of its time. It is an oil on oak showing spouses living in the Flemish city of Bruges.