Champ d'application

ID: #2318 | TOP 200 | Romantisme | Paysages

Date: 1826
Medium: oil on canvas
Location: National Gallery, London, UK

Texte traduit automatiquement. Veuillez excuser toutes les erreurs!

L'image également connue sous le nom de champ de céréales est un souvenir de l'enfance heureuse du peintre à Suffolk. Sur la gauche se trouve un garçon buvant de l'eau du ruisseau. L'image est une petite libation au goût de l'époque (le gendarme a eu du mal à vendre les images et donc le concept de cette image a décidé d'accueillir le goût général). Cependant, cela ne nuise pas à son championnat et à son génie (voir, par exemple, l'atmosphère du ciel dans cette image).

Constable painted picture Champ d'application in 1826. Prevailing color of this fine art print is vert and its shape is portrait. This art piece is located in National Gallery, London, UK. This image is printed on demand - you can choose material, size and finishing.

John Constable (1776 - 1837). English painter during Romanticism. He was the son of a miller in Suffolk County and since childhood, he dreamed of becoming one of the best landscape painters of the 19th century. At last, painting really became the sole purpose of his existence. In December 1817, he moved to London with his wife, and there the first of their seven children was born. Children then followed almost invariably each year, but it was very difficult and exhausting to feed such a large family. Landscape painting was not recognized nor a much profitable profession in England in the 19th century. John and Mary worked very hard, which later destroyed their health. Despite this, however, gradually the first significant successes arrived. In 1819, John Constable became an associate member of the Royal Academy of Arts.
Two years later, he painted his most famous work Hay Wagon. He exhibited it in London, but he came to fame in 1824 when this image received the gold medal at the Salon in Paris. The local appraisal was full of recognition, but in England his work was viewed with reserve. A year later, although he was accepted as a full member of the Royal Academy of Arts, he exhibited a grim picture, Hadleigh Castle, which expressed grief over the death of his wife. He entrusted their seven children to a nurse, but he still cared for them very well and conscientiously. A very renowned piece is Wivenhoe Park of 1816. In 1833, however, he fell ill and was greatly plagued by old age. To conserve his strength, he painted only less demanding watercolours. Finally, Constable died after a stroke in 1837. His paintings were sold for a small amount auction, and his work achieved recognition many years later.