Date: 1601 Medium: oil and tempera, board Location: National Gallery, London, UK Dimensions: 196 x 141
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L'image montre le moment où la résurrection Jésus rencontre deux de ses disciples, apparemment Luke et Kleofas. L'apôtre Kleophas porte un pétoncle d'égout, un symbole de pèlerins et des gestes largement avec des bras entiers. L'apôtre Luke a des vêtements déchirés. Jésus est ici, malgré toutes les traditions communes, affichées sans barbe. Le quatrième homme semble être des nourrissons, son visage est caché à l'ombre. L'image est inhabituelle pour les caractères de taille de vie - l'arrière-plan est sombre et vide. Sur la table se trouve la nourriture organisée comme une noire typique. Comme le monde que les disciples connaissaient, un panier avec des fruits au bord de la table est sur le point de s'effondrer. Le Caravage a peint une autre version de la même scène en 1606, montrant Jésus classiquement avec Beard.
Caravaggio painted picture Souper à Emmaüs in 1601. Prevailing color of this fine art print is sombre and its shape is paysage. Original size is 196 x 141. This art piece is located in National Gallery, London, UK. This image is printed on demand - you can choose material, size and finishing.
Caravaggio (Merisi Michalengelo) (1571-1610). Italian Baroque painter, who in his short life was significantly influenced by Baroque painting. Born to a family of architects in Caravaggio, he was an unwary adventurer who liked teasing and toying with fate. In his early works, he preferred realism. He worked with light and shadow, combining natural and architectural elements. He captured dramatic scenes (and his images are very sensational) by utilising hyperrealism and an impressive use of light and shadow. An intense light side, which he started using, helped him add intensity to colours and link the composition into one unit. Light, intense colours, and choice of motifs (often with the presence of death) are the cornerstones of his work, which indelibly influenced the history of art.
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