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Giovanni Antonio Canaletto

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Atelier de maçonnerie

ID: #8304 | Baroque | Architecture

La peinture représente une scène historique avec un canal au milieu, probablement quelque part en Italie. Plusieurs bateaux naviguent sur le canal et l'on peut voir de vieux bâtiments à l'architecture typique, dont une haute tour en pierre à l'arrière-plan. Le ciel est partiellement nuageux avec des taches de bleu et des nuages, ce qui ajoute à l'atmosphère de la scène. Au premier plan, on aperçoit un atelier en bois et des personnes en train de travailler, ce qui témoigne de la vie quotidienne dans la région.

Ce texte et les mots-clés ont été générés par une intelligence artificielle, merci de votre compréhension !



Prevailing color of this fine art print is bleu and its shape is paysage. This image is printed on demand - you can choose material, size and finishing.

Canaletto (1697-1681) was born in Venice. He, along with his brother, learned painting from his father. He started as a painter of theatrical backdrops. In his free time, he painted everyday urban life. When he left his father’s workshop, he went to Rome for inspiration. There, he perfected his fondness for painting architectural elements. This can be seen in the detailed Baroque paintings of Venice, where he captured Venice in the period of its greatest beauty and glory. Thanks to the merchant Joseph Smith, Canaletto’s paintings were sold even in England. However, in 1740, the war disrupted the market and a the flurry of British tourists traveling to Venice decreased. This prompted Canaletto to travel to London to keep his clientele. However, English critics described his work as repetitive, and he was labelled a fraud. He did not manage to fix his and so he returned to Venice, where he became a member of the Academy of Arts and painted until his death in 1768.

Atelier de maçonnerie

Giovanni Antonio Canaletto

Motif size

Total size: 80 x 62 cm

Material


Finishing


Frame & passepartout

colour of passepartout
none

Selected finishing

Matte paper (print)
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Print. The image is printed on the top quality 10-ink HP Z9PS printer on HP matte 270 g / m2 paper. You can choose any size to an accuracy of 1 cm. A margin of 5 cm around the image is added to the size of the motif.

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You can find a detailed description about our finishings here.

:
40 €

Shipping date: 2 days

Atelier de maçonnerie

ID: #8304 | Baroque | Architecture

La peinture représente une scène historique avec un canal au milieu, probablement quelque part en Italie. Plusieurs bateaux naviguent sur le canal et l'on peut voir de vieux bâtiments à l'architecture typique, dont une haute tour en pierre à l'arrière-plan. Le ciel est partiellement nuageux avec des taches de bleu et des nuages, ce qui ajoute à l'atmosphère de la scène. Au premier plan, on aperçoit un atelier en bois et des personnes en train de travailler, ce qui témoigne de la vie quotidienne dans la région.

Ce texte et les mots-clés ont été générés par une intelligence artificielle, merci de votre compréhension !



Prevailing color of this fine art print is bleu and its shape is paysage. This image is printed on demand - you can choose material, size and finishing.

Canaletto (1697-1681) was born in Venice. He, along with his brother, learned painting from his father. He started as a painter of theatrical backdrops. In his free time, he painted everyday urban life. When he left his father’s workshop, he went to Rome for inspiration. There, he perfected his fondness for painting architectural elements. This can be seen in the detailed Baroque paintings of Venice, where he captured Venice in the period of its greatest beauty and glory. Thanks to the merchant Joseph Smith, Canaletto’s paintings were sold even in England. However, in 1740, the war disrupted the market and a the flurry of British tourists traveling to Venice decreased. This prompted Canaletto to travel to London to keep his clientele. However, English critics described his work as repetitive, and he was labelled a fraud. He did not manage to fix his and so he returned to Venice, where he became a member of the Academy of Arts and painted until his death in 1768.


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