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Célébration de Pélée

Edward Burne-Jones

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Célébration de Pélée

ID: #6315 | Classicisme | Religieux

Le tableau représente un groupe de personnages vêtus à l'ancienne, assis à une longue table à manger dans un cadre extérieur surplombant un paysage vallonné. Divers plats et ustensiles sont visibles sur la table. Certains individus sont représentés en train de manger ou de boire, d'autres sont en train d'interagir les uns avec les autres. Les personnages ont des poses et des expressions émotionnelles différentes, suggérant une interaction sociale. L'arrière-plan montre un ciel bleu et des vues lointaines du paysage.
Créé par une intelligence artificielle, veuillez faire preuve d'indulgence.

Prevailing color of this fine art print is vif and its shape is long. This image is printed on demand - you can choose material, size and finishing.

Edward Coley Burne-Jones (1833-1898) was an English universal artist. He painted, illustrated, made jewellery, tapestries and designed theatrical costumes. He was born into a framer’s family. His mother died a few days after his birth, and so he was brought up by his father and a tyrannical housekeeper. Often, he sought to escape her tyranny into his own mind and imagination, where he surrounded himself with heroic imaginings. While studying theology, he became acquainted with the writer William Morris and painter John Ruskin. Along with Morris, who contributed to his decision to leave his studies at Oxford, Jones founded a company for the production of stained glass. In his masterpieces, the influence of Sandro Botticelli and Mantegna Andrey is evident. He came to recognition in 1877 at an exhibition at the Grosvenor Gallery, in which he exhibited eight oil paintings. During his life, he managed to marry into the influential English family, the MacDonalds, and attain a noble title. He lived the later days of his life, however, in a depression from the death of his best friend Morris. He was buried in Westminister Abbey.

Célébration de Pélée

Edward Burne-Jones

Motif size

Total size: 80 x 27 cm

Material


Finishing


Frame & passepartout

colour of passepartout
none

Selected finishing

Matte paper (print)
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Print. The image is printed on the top quality 9-ink HP Z9PS printer on Fomei Cotton Smoooth g / m2 paper. You can choose any size to an accuracy of 1 cm. A margin of 5 cm around the image is added to the size of the motif.

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You can find a detailed description about our finishings here.

:
30 €

Shipping date: 2 days

Célébration de Pélée

ID: #6315 | Classicisme | Religieux

Le tableau représente un groupe de personnages vêtus à l'ancienne, assis à une longue table à manger dans un cadre extérieur surplombant un paysage vallonné. Divers plats et ustensiles sont visibles sur la table. Certains individus sont représentés en train de manger ou de boire, d'autres sont en train d'interagir les uns avec les autres. Les personnages ont des poses et des expressions émotionnelles différentes, suggérant une interaction sociale. L'arrière-plan montre un ciel bleu et des vues lointaines du paysage.
Créé par une intelligence artificielle, veuillez faire preuve d'indulgence.

Prevailing color of this fine art print is vif and its shape is long. This image is printed on demand - you can choose material, size and finishing.

Edward Coley Burne-Jones (1833-1898) was an English universal artist. He painted, illustrated, made jewellery, tapestries and designed theatrical costumes. He was born into a framer’s family. His mother died a few days after his birth, and so he was brought up by his father and a tyrannical housekeeper. Often, he sought to escape her tyranny into his own mind and imagination, where he surrounded himself with heroic imaginings. While studying theology, he became acquainted with the writer William Morris and painter John Ruskin. Along with Morris, who contributed to his decision to leave his studies at Oxford, Jones founded a company for the production of stained glass. In his masterpieces, the influence of Sandro Botticelli and Mantegna Andrey is evident. He came to recognition in 1877 at an exhibition at the Grosvenor Gallery, in which he exhibited eight oil paintings. During his life, he managed to marry into the influential English family, the MacDonalds, and attain a noble title. He lived the later days of his life, however, in a depression from the death of his best friend Morris. He was buried in Westminister Abbey.


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