Date: 1485 Medium: tempera, canvas Location: Galleria degli Uffizi, Florence, Italy Dimensions: 180 x 280
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La naissance de Vénus (1485) montre Vénus hors de la mer jusqu'au rivage sous la forme d'une femme adulte. À gauche, vous pouvez voir les figures volantes des Zefyrs (le dieu d'un léger vent occidental) des ailes Vénus se dresse sur la coquille de mer. À droite, l'une des filles de Dia, la déesse Thallo (les filles des filles de Di est appelée Hóra), qui va envelopper Vénus dans un manteau de fleurs, symbolisant l'arrivée du printemps (allégorie du printemps). Notez que Vénus a des bras anormalement longs et une épaule gauche biseautée. Il y a plusieurs autres symboles sur l'image: la rose rose est un symbole de la sexualité et du désir humain (Vénus était aussi une déesse des fleurs). Des obus, autrefois mentionnés aux organes génitaux féminins - un symbole du nouveau départ et de la naissance, les coquilles étaient plus tard un symbole de renaissance et de résurrection. Le dieu du vent Zefyros et ses épouses Chloris symbolisent le ruisseau et la combinaison de l'esprit et de la matière. L'or dans l'image souligne la valeur de l'image et fait référence à la perfection et à l'amour.
Botticelli painted picture Naissance de Vénus in 1485. Prevailing color of this fine art print is vif and its shape is paysage. Original size is 180 x 280. This art piece is located in Galleria degli Uffizi, Florence, Italy. This image is printed on demand - you can choose material, size and finishing.
Sandro Botticelli (1445-1510). Also known under the name Alessandro di Mariano di Vanni Filipepi. Botticelli was an Italian Renaissance painter from the Florentine school. His work belongs to the best in the early Renaissance. Botticelli took his surname allegedly from his brother’s nickname (who was as rotund as a tub – botticelli). His artistic career likely began in the goldsmith’s workshop of his brother Antonio. Botticelli was later entrusted by his family to the care of Filippo Lippi, a renowned painter and knowledgeable monk. As a renowned artist, Botticelli gained friends and benefactors from the most important Florentine families. He worked mainly for the Medici family. In 1481, together with another major Florentine painter, Domenico Ghirlandaio, Botticelli was summoned to Rome to participate in the decoration of the Sistine Chapel. In 1491, they were both appointed to a jury that was to decide on the contract for the construction of the facade of Florence cathedral. At the end of his life, he evidently worked under the influence of Savonarol’s fiery sermons, exclusively painting Christian themes. Among his most famous works are The Birth of Venus and Spring (Primavera) . Botticelli never married – he reportedly struggled with unrequited love for Simonet Vespucci, who was to be the model for his Venus. As his dying wish, he desired to be buried at her feet. His wish was fulfilled.
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