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HA SALIDO A LA LUZ NUESTRO
DESCUENTO DE VERANO, USA EL CÓDIGO sale10
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Dalias

ID: #1917 | Impresionismo | Flores

Date: 1876
Medium: oil on canvas
Location: Sterling & Francine Clark Art Institute, Williamstown, USA
Dimensions: 46.2 x 55.9

El cuadro representa una composición floral en un jarrón blanco con adornos azules, colocado sobre una mesa de madera oscura. El jarrón está lleno de flores amarillas, moradas, rojas y rosas de distintos tonos y formas. La luz del cuadro crea una impresión de calidez y centra la atención en la pieza central de la composición: el jarrón con las flores. Los alrededores del jarrón están oscurecidos y permiten que destaquen las flores. El cuadro tiene un carácter impresionista, evidente en la pincelada suelta.
Creado por inteligencia artificial, por favor, sea indulgente.

Morisot painted picture Dalias in 1876. Prevailing color of this fine art print is oscuro and its shape is paisaje. Original size is 46.2 x 55.9. This art piece is located in Sterling & Francine Clark Art Institute, Williamstown, USA. This image is printed on demand - you can choose material, size and finishing.

Berthe Morisot (1841 - 1895) French impressionist painter whose personality stands out for her creativity and courage. She received an education in an academic environment, but after meeting with Corot, she began to paint in the open air and got her first success at the Paris Salon. She was influenced by Manet, who finally enabled her to get rid of the weight of academic tradition and brought her to the Impressionist style. For her independent nature, she left the salon and began to participate in Impressionist exhibitions. She painted the most intimate scenes from the lives of ordinary women, city ladies, and maids and for her female perspective on these issues, she received ironic criticism. She used bold techniques for the time (free brushstrokes) and was interested in the effect of light.

Motif size

Total size: 80 x 65 cm

Material


Finishing


Frame & passepartout

colour of passepartout
none

Selected finishing

Matte paper (print)
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Print. The image is printed on the top quality 10-ink HP Z9PS printer on HP matte 270 g / m2 paper. You can choose any size to an accuracy of 1 cm. A margin of 5 cm around the image is added to the size of the motif.

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You can find a detailed description about our finishings here.

:
41 €

Shipping date: 2 days

Dalias

ID: #1917 | Impresionismo | Flores

Date: 1876
Medium: oil on canvas
Location: Sterling & Francine Clark Art Institute, Williamstown, USA
Dimensions: 46.2 x 55.9

El cuadro representa una composición floral en un jarrón blanco con adornos azules, colocado sobre una mesa de madera oscura. El jarrón está lleno de flores amarillas, moradas, rojas y rosas de distintos tonos y formas. La luz del cuadro crea una impresión de calidez y centra la atención en la pieza central de la composición: el jarrón con las flores. Los alrededores del jarrón están oscurecidos y permiten que destaquen las flores. El cuadro tiene un carácter impresionista, evidente en la pincelada suelta.
Creado por inteligencia artificial, por favor, sea indulgente.

Morisot painted picture Dalias in 1876. Prevailing color of this fine art print is oscuro and its shape is paisaje. Original size is 46.2 x 55.9. This art piece is located in Sterling & Francine Clark Art Institute, Williamstown, USA. This image is printed on demand - you can choose material, size and finishing.

Berthe Morisot (1841 - 1895) French impressionist painter whose personality stands out for her creativity and courage. She received an education in an academic environment, but after meeting with Corot, she began to paint in the open air and got her first success at the Paris Salon. She was influenced by Manet, who finally enabled her to get rid of the weight of academic tradition and brought her to the Impressionist style. For her independent nature, she left the salon and began to participate in Impressionist exhibitions. She painted the most intimate scenes from the lives of ordinary women, city ladies, and maids and for her female perspective on these issues, she received ironic criticism. She used bold techniques for the time (free brushstrokes) and was interested in the effect of light.


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