Date: 1869 Medium: oil on canvas Location: Musee d'Orsay, Paris, France Dimensions: 89 x 130
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Girando al Monet a fines de la década de 1860, Monet comenzó a capturar las impresiones fugaces de la naturaleza. Junto con Pissarr, Renoir y Sisley, trató de capturar el paisaje cubierto de nieve. Pintó los motos sentados en la meta. Straka no se parece notablemente una nota sobre la puntuación. Al mismo tiempo, Straka se sienta y inadvertidamente protege el objetivo que separa la naturaleza y el bosque de la tierra y el jardín civilizado. La pintura crea el sol y las sombras. Los colores son suprimidos e inusualmente pálidos. El enfoque innovador e inusual trajo esta imagen al rechazo del jurado del salón en 1869.
Monet painted picture Urraca in 1869. Prevailing color of this fine art print is b&N and its shape is paisaje. Original size is 89 x 130. This art piece is located in Musee d'Orsay, Paris, France. This image is printed on demand - you can choose material, size and finishing.
Claude Oscar Monet (1840-1926). A native Parisian, who thoroughly developed the idea of Impressionism. Monet almost scientifically studied the effect of light on different objects. He devoted himself to so called transitory states, which quickly led him to work with colour and light, his paintings acting on the viewer from the first impression. His use of open-air painting and objects which were special only because of light opened the way for the beginnings of modern painting. Monet’s Impression, Sunrise (1874) not only gave the name to the whole art movement, but secured Monet a place among the best painters of all times. At one time, he resided in London and created his famous study Houses of Parliament (Monet wondered, How could the English painters paint Parliament when it cannot be seen for the fog?). In the Giverny, which became his favourite retreat after the death of his wife, he painted motifs from his garden and the popular series Water Lilies - the world of the water was as poetic and mysterious as a primordial paradise.
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