Mujer con sombrilla

ID: #2112 | TOP 20 | Impresionismo | Gente

Date: 1886
Medium: oil on canvas
Location: Musee d'Orsay, Paris, France
Dimensions: 131 x 88

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Después de varias pinturas pintadas en la década de 1960, Monet se desvía casi por completo de la representación de los personajes y se entrega a la pintura de paisajes. Cuando incluye una figura más grande en sus paisajes, como comenzó a volver a volverse nuevamente en la década de 1980, ella está tratando con ella, como si fuera parte del paisaje. A mediados de la década de 1980, la atención de Monet volvió a los inicios de su carrera y regresa a la pintura de los personajes. En uno de sus estudios en el aire fresco, una mujer con una sombrilla, Monet está literalmente fascinada por un punto de vista especial que elige para la pintura. La mujer se representa desde abajo contra el cielo azul. La joven en la imagen es Suzanne Hoschedé, la hija de su expectante segunda mujer, Alice Hoschedé. Suzanne ha sido una de sus modelos favoritas durante mucho tiempo.

Monet painted picture Mujer con sombrilla in 1886. Prevailing color of this fine art print is azul and its shape is retrato. Original size is 131 x 88. This art piece is located in Musee d'Orsay, Paris, France. This image is printed on demand - you can choose material, size and finishing.

Claude Oscar Monet (1840-1926). A native Parisian, who thoroughly developed the idea of Impressionism. Monet almost scientifically studied the effect of light on different objects. He devoted himself to so called transitory states, which quickly led him to work with colour and light, his paintings acting on the viewer from the first impression. His use of open-air painting and objects which were special only because of light opened the way for the beginnings of modern painting. Monet’s Impression, Sunrise (1874) not only gave the name to the whole art movement, but secured Monet a place among the best painters of all times. At one time, he resided in London and created his famous study Houses of Parliament (Monet wondered, How could the English painters paint Parliament when it cannot be seen for the fog?). In the Giverny, which became his favourite retreat after the death of his wife, he painted motifs from his garden and the popular series Water Lilies - the world of the water was as poetic and mysterious as a primordial paradise.