Catedral de Ruen - fachada oeste

ID: #57 | Impresionismo | Arquitectura

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Monet a menudo pintaba algunos motivos a diferentes horas del día o en diferentes condiciones de iluminación. La serie de estudios de la Catedral de Rouen, que consta de cincuenta pinturas, no es una excepción. Para estos fines, Monet incluso alquiló una habitación directamente frente a la fachada occidental. Cumplió sus impresiones con pequeños pinceladas, que expresaron diferencias en la iluminación, las sombras y el cambio de luz en los detalles de la fachada. Las imágenes de esta serie se destacan especialmente cuando se ven desde una distancia mayor, porque solo de esta manera, las almohadillas de color pequeñas están conectadas a un todo más alto.

Prevailing color of this fine art print is oscuro and its shape is retrato. This image is printed on demand - you can choose material, size and finishing.

Claude Oscar Monet (1840-1926). A native Parisian, who thoroughly developed the idea of Impressionism. Monet almost scientifically studied the effect of light on different objects. He devoted himself to so called transitory states, which quickly led him to work with colour and light, his paintings acting on the viewer from the first impression. His use of open-air painting and objects which were special only because of light opened the way for the beginnings of modern painting. Monet’s Impression, Sunrise (1874) not only gave the name to the whole art movement, but secured Monet a place among the best painters of all times. At one time, he resided in London and created his famous study Houses of Parliament (Monet wondered, How could the English painters paint Parliament when it cannot be seen for the fog?). In the Giverny, which became his favourite retreat after the death of his wife, he painted motifs from his garden and the popular series Water Lilies - the world of the water was as poetic and mysterious as a primordial paradise.