Ballarina II

ID: #1160 | TOP 100 | Surrealismo | Abstracto

El cuadro muestra una composición abstracta en la que predomina el color azul intenso. La obra sugiere varias formas y motivos imprecisos, entre ellos un gran objeto rojo parecido a un corazón en el centro y un pequeño objeto negro cerca del borde inferior. En la parte superior aparece un pequeño círculo blanco, posiblemente la luna o el sol, del que parte una línea negra que apunta hacia el corazón. En el borde izquierdo se aprecian líneas verticales y puntos que añaden otra dimensión a la pieza.

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Prevailing color of this fine art print is azul and its shape is retrato.

Joan Miró i Ferrà (1893-1983). Spanish (Catalonian) painter and sculptor. His paintings are considered surrealist. His approach attacks the traditional methodology (from the 1930s), which Miró considered bourgeois. He began making a living as an accountant, but quickly left behind the world of numbers and fully devoted himself to art. Gradually, he developed his symbolic language that he first used in the paintings The Tilled Field (1924) and Catalonia Landscape (1923). This language is used in most of his works. For example, he used the triangle shape to show the head, curves to show a moustache, and a rectangular shape to depict the trunk. As a surrealist, he often painted without a plan, with references to sexual symbols (for example, egg-like forms with penetrating wavy lines). As one of the first artists, he used auto painting. André Breton - the founder of surrealism - eventually described him as the purest surrealist of us all and he is considered an influential painter of the 20th century, who influenced mainly American expressionists (from the better known, for example Rothko Pollock or Motherwell and Calder).