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Eneas y Dido en Cartago

Claude Lorrain

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Eneas y Dido en Cartago

ID: #1842 | Romanticismo | Arquitectura

Date: 1675
Medium: oil on canvas
Location: Hamburger Kunsthalle, Hamburg, Germany
Dimensions: 120 x 149.2

El cuadro representa un paisaje clásico con elementos de arquitectura antigua. El primer plano muestra a un grupo de personas vestidas con trajes de época junto a la costa y a lo largo de las antiguas ruinas. Vemos columnas, arcadas y escalones de piedra que conducen al mar, donde navegan pequeñas embarcaciones. El horizonte se vislumbra en el horizonte. La escena está iluminada por el sol y desprende una atmósfera tranquila e histórica.

Este texto y las palabras clave fueron creados por una inteligencia artificial, ¡por favor sean indulgentes!



Lorrain painted picture Eneas y Dido en Cartago in 1675. Prevailing color of this fine art print is vívido and its shape is paisaje. Original size is 120 x 149.2. This art piece is located in Hamburger Kunsthalle, Hamburg, Germany. This image is printed on demand - you can choose material, size and finishing.

Claude Lorrain (1600-1682). Family name Gelée. French landscape artist. He was the most important author of 17th century landscape paintings. He uncovered the beauty of different times of day - because of this, he painted landscapes with light from the west, east or in different weather conditions. Especially at the beginning, he enjoyed painting landscapes with distant views, distant horizons and elaborate details. In the more mature period of his life, he simplified his composition and tried to capture the atmosphere of the place. He painted pictures with tranquil views of the sea combined with monumental architecture (often ruins of ancient buildings - see his most famous painting The Embarkation of the Queen of Sheba), landscapes and vast groves, all in a poetic and harmonic spirit. His painting techniques had many followers and lasted until the onset of Impressionism.

Eneas y Dido en Cartago

Claude Lorrain

Motif size

Total size: 80 x 63 cm

Material


Finishing


Frame & passepartout

colour of passepartout
none

Selected finishing

Matte paper (print)
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Print. The image is printed on the top quality 10-ink HP Z9PS printer on HP matte 270 g / m2 paper. You can choose any size to an accuracy of 1 cm. A margin of 5 cm around the image is added to the size of the motif.

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You can find a detailed description about our finishings here.

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40 €

Shipping date: 2 days

Eneas y Dido en Cartago

ID: #1842 | Romanticismo | Arquitectura

Date: 1675
Medium: oil on canvas
Location: Hamburger Kunsthalle, Hamburg, Germany
Dimensions: 120 x 149.2

El cuadro representa un paisaje clásico con elementos de arquitectura antigua. El primer plano muestra a un grupo de personas vestidas con trajes de época junto a la costa y a lo largo de las antiguas ruinas. Vemos columnas, arcadas y escalones de piedra que conducen al mar, donde navegan pequeñas embarcaciones. El horizonte se vislumbra en el horizonte. La escena está iluminada por el sol y desprende una atmósfera tranquila e histórica.

Este texto y las palabras clave fueron creados por una inteligencia artificial, ¡por favor sean indulgentes!



Lorrain painted picture Eneas y Dido en Cartago in 1675. Prevailing color of this fine art print is vívido and its shape is paisaje. Original size is 120 x 149.2. This art piece is located in Hamburger Kunsthalle, Hamburg, Germany. This image is printed on demand - you can choose material, size and finishing.

Claude Lorrain (1600-1682). Family name Gelée. French landscape artist. He was the most important author of 17th century landscape paintings. He uncovered the beauty of different times of day - because of this, he painted landscapes with light from the west, east or in different weather conditions. Especially at the beginning, he enjoyed painting landscapes with distant views, distant horizons and elaborate details. In the more mature period of his life, he simplified his composition and tried to capture the atmosphere of the place. He painted pictures with tranquil views of the sea combined with monumental architecture (often ruins of ancient buildings - see his most famous painting The Embarkation of the Queen of Sheba), landscapes and vast groves, all in a poetic and harmonic spirit. His painting techniques had many followers and lasted until the onset of Impressionism.


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