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Ascanio matando ciervos

Claude Lorrain

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Ascanio matando ciervos

ID: #1843 | Romanticismo | Paisajes

Date: 17th century
Medium: oil on canvas
Location: Ashmolean Museum, University of Oxford, UK
Dimensions: 120 x 150

El cuadro representa una escena paisajística idílica de estilo clásico. En primer plano aparece un grupo de personas dedicadas a diversas actividades, como la caza y la pesca, junto a un río. Algunos visten ropas antiguas. A la derecha se ve la estatua de un ciervo. Al fondo se ven columnas clásicas, densos bosques verdes y vistas lejanas del mar y las montañas. El cielo destaca en parte por las nubes cambiantes que indican la transición entre un tiempo tranquilo y la posible llegada del cambio.

Este texto y las palabras clave fueron creados por una inteligencia artificial, ¡por favor sean indulgentes!



Lorrain painted picture Ascanio matando ciervos in 17th century. Prevailing color of this fine art print is verde and its shape is paisaje. Original size is 120 x 150. This art piece is located in Ashmolean Museum, University of Oxford, UK. This image is printed on demand - you can choose material, size and finishing.

Claude Lorrain (1600-1682). Family name Gelée. French landscape artist. He was the most important author of 17th century landscape paintings. He uncovered the beauty of different times of day - because of this, he painted landscapes with light from the west, east or in different weather conditions. Especially at the beginning, he enjoyed painting landscapes with distant views, distant horizons and elaborate details. In the more mature period of his life, he simplified his composition and tried to capture the atmosphere of the place. He painted pictures with tranquil views of the sea combined with monumental architecture (often ruins of ancient buildings - see his most famous painting The Embarkation of the Queen of Sheba), landscapes and vast groves, all in a poetic and harmonic spirit. His painting techniques had many followers and lasted until the onset of Impressionism.

Ascanio matando ciervos

Claude Lorrain

Motif size

Total size: 80 x 64 cm

Material


Finishing


Frame & passepartout

colour of passepartout
none

Selected finishing

Matte paper (print)
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Print. The image is printed on the top quality 9-ink HP Z9PS printer on Fomei Cotton Smoooth g / m2 paper. You can choose any size to an accuracy of 1 cm. A margin of 5 cm around the image is added to the size of the motif.

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You can find a detailed description about our finishings here.

:
40 €

Shipping date: 2 days

Ascanio matando ciervos

ID: #1843 | Romanticismo | Paisajes

Date: 17th century
Medium: oil on canvas
Location: Ashmolean Museum, University of Oxford, UK
Dimensions: 120 x 150

El cuadro representa una escena paisajística idílica de estilo clásico. En primer plano aparece un grupo de personas dedicadas a diversas actividades, como la caza y la pesca, junto a un río. Algunos visten ropas antiguas. A la derecha se ve la estatua de un ciervo. Al fondo se ven columnas clásicas, densos bosques verdes y vistas lejanas del mar y las montañas. El cielo destaca en parte por las nubes cambiantes que indican la transición entre un tiempo tranquilo y la posible llegada del cambio.

Este texto y las palabras clave fueron creados por una inteligencia artificial, ¡por favor sean indulgentes!



Lorrain painted picture Ascanio matando ciervos in 17th century. Prevailing color of this fine art print is verde and its shape is paisaje. Original size is 120 x 150. This art piece is located in Ashmolean Museum, University of Oxford, UK. This image is printed on demand - you can choose material, size and finishing.

Claude Lorrain (1600-1682). Family name Gelée. French landscape artist. He was the most important author of 17th century landscape paintings. He uncovered the beauty of different times of day - because of this, he painted landscapes with light from the west, east or in different weather conditions. Especially at the beginning, he enjoyed painting landscapes with distant views, distant horizons and elaborate details. In the more mature period of his life, he simplified his composition and tried to capture the atmosphere of the place. He painted pictures with tranquil views of the sea combined with monumental architecture (often ruins of ancient buildings - see his most famous painting The Embarkation of the Queen of Sheba), landscapes and vast groves, all in a poetic and harmonic spirit. His painting techniques had many followers and lasted until the onset of Impressionism.


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