Ad Marginem

ID: #3224 | TOP 20 | Expresionismo | Abstracto

Date: 1930
Medium: watercolours
Location: Offentliche Kunstsammlung, Basel, Switzerland
Dimensions: 46 x 36

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El margen publicitario o al borde es una imagen de Paul Klee, que a menudo usa símbolos misteriosos para expresar sus sentimientos. Específicamente, en este episodio, las plantas, los animales y otras formas empujadas al borde del lienzo están dispuestos a encontrar el sol oscuro, que ocupa el centro de la imagen. El increíble mundo está lejos de ser, abrumado, cubierto de óxido y líquenes y contaminado con manchas se despierta hasta la vida y atrae la fuerza de la luz del sol. La imagen original se originó en 1930, cuando Klee enseña en la escuela Bauhaus en Weimar. Después de regresar a Bern, reelaboró ​​la pintura en 1935 y 1936. El velo de la melancolía, que se extiende a lo largo del trabajo, es un reflejo de los cambios en el medio ambiente y los cambios en sus sentimientos y estado de ánimo.

Klee painted picture Ad Marginem in 1930. Prevailing color of this fine art print is amarillo and its shape is retrato. Original size is 46 x 36. This art piece is located in Offentliche Kunstsammlung, Basel, Switzerland. This image is printed on demand - you can choose material, size and finishing.

Paul Klee (1879-1940). From childhood, he was interested in both music and painting, but as is evident, finally decided on painting - his paintings are among prized artworks. In Munich, he met Kandinsky, Franz Marc, and other artists of the then avant-garde. He met also his future wife, pianist Lily Stumpf. His work is associated with a expressionism, cubism, and surrealism. He was one of the four Die Blaue Vier (with Kandinsky, Feininger and Jawlensky). He taught at Bauhaus and the Düsseldorf Academy until 1933, when the Nazis declared his paintings a figment of a sick soul and with labelled his whole creation as degenerate art. Klee was extremely hardworking and after his death, he left behind 8926 works in Switzerland. Klee’s paintings are fragile, with a sensitive use of color (his colour mixing ranks among the world’s best) and frequent references to poetry, music and dreams.