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Paisaje nacional (preparación de la salida)

Jan Brueghel the elder

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Paisaje nacional (preparación de la salida)

ID: #2247 | Renacimiento | Gente

Date: 1617
Medium: oil on cooper
Location: Guildhall Art Gallery, City of London
Dimensions: 22 x 30

La imagen muestra una vívida escena rural de una época que recuerda a los siglos XVII o XVIII. En el camino que atraviesa el pueblo se ve a la gente ocupada en diversas actividades. Varios hombres y mujeres conducen ganado y caballos, mientras que otros permanecen de pie en grupos y mantienen conversaciones entre ellos. Las casas tienen una arquitectura clásica de entramado de madera y tejados altos. Hay árboles y vegetación alrededor, lo que da a la escena un apacible aire rural. El ambiente se ve realzado por la minuciosa representación de las personas y sus ropas.

Este texto y las palabras clave fueron creados por una inteligencia artificial, ¡por favor sean indulgentes!



Brueghel painted picture Paisaje nacional (preparación de la salida) in 1617. Prevailing color of this fine art print is verde and its shape is paisaje. Original size is 22 x 30. This art piece is located in Guildhall Art Gallery, City of London. This image is printed on demand - you can choose material, size and finishing.

Jan Brueghel the Elder (1568-1625). Flemish painter. Son of Pieter Brueghel the Elder and father of Jan Brueghel the Younger. He is famous for his still life paintings with flowers (one of them can even be found in Prague). For his favourite theme, he is called "flowery" Brueghel, and possibly for his favourite material, he is also called "velvety." Unlike his brother Pieter Brueghel the Younger, he developed a personalized and nuanced style of painting, distinct from his father’s. Many of his paintings originated through collaborations with other artists (for example, he painted figures into other artist’s landscapes and vice versa).

Paisaje nacional (preparación de la salida)

Jan Brueghel the elder

Motif size

Total size: 80 x 59 cm

Material


Finishing


Frame & passepartout

colour of passepartout
none

Selected finishing

Matte paper (print)
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Print. The image is printed on the top quality 9-ink HP Z9PS printer on Fomei Cotton Smoooth g / m2 paper. You can choose any size to an accuracy of 1 cm. A margin of 5 cm around the image is added to the size of the motif.

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You can find a detailed description about our finishings here.

:
39 €

Shipping date: 2 days

Paisaje nacional (preparación de la salida)

ID: #2247 | Renacimiento | Gente

Date: 1617
Medium: oil on cooper
Location: Guildhall Art Gallery, City of London
Dimensions: 22 x 30

La imagen muestra una vívida escena rural de una época que recuerda a los siglos XVII o XVIII. En el camino que atraviesa el pueblo se ve a la gente ocupada en diversas actividades. Varios hombres y mujeres conducen ganado y caballos, mientras que otros permanecen de pie en grupos y mantienen conversaciones entre ellos. Las casas tienen una arquitectura clásica de entramado de madera y tejados altos. Hay árboles y vegetación alrededor, lo que da a la escena un apacible aire rural. El ambiente se ve realzado por la minuciosa representación de las personas y sus ropas.

Este texto y las palabras clave fueron creados por una inteligencia artificial, ¡por favor sean indulgentes!



Brueghel painted picture Paisaje nacional (preparación de la salida) in 1617. Prevailing color of this fine art print is verde and its shape is paisaje. Original size is 22 x 30. This art piece is located in Guildhall Art Gallery, City of London. This image is printed on demand - you can choose material, size and finishing.

Jan Brueghel the Elder (1568-1625). Flemish painter. Son of Pieter Brueghel the Elder and father of Jan Brueghel the Younger. He is famous for his still life paintings with flowers (one of them can even be found in Prague). For his favourite theme, he is called "flowery" Brueghel, and possibly for his favourite material, he is also called "velvety." Unlike his brother Pieter Brueghel the Younger, he developed a personalized and nuanced style of painting, distinct from his father’s. Many of his paintings originated through collaborations with other artists (for example, he painted figures into other artist’s landscapes and vice versa).


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