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Flores en un jarrón de madera

Jan Brueghel the elder

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Flores en un jarrón de madera

ID: #3613 | TOP 100 | Renacimiento | Flores

Date: 1606-1607
Medium: oil on board
Location: Kunsthistorishes Museum, Viena, Austria
Dimensions: 73 x 98

Texto traducido automáticamente. ¡Disculpe los errores!

En esta imagen, a primera vista, una composición poética se combina con pinceladas perfectas. Brughel pintó flores en un peso de madera para el archiduque austriaco Albrecht VII. Habsburg, gobernador holandés y virrey portugués. La pintura se convirtió en uno de los muertos muertos más famosos en la historia del arte europeo. Es interesante que las flores de diferentes estaciones florezcan al mismo tiempo. Una composición equilibrada y de color sobre un fondo oscuro distrae nuestra atención de las flores secas que caen sobre la almohadilla en la que se encuentra el jarrón. Brughel dijo que le gustaba mirar esta pintura en invierno, porque dijo que podía sentir no solo una atmósfera positiva sino también el olor a flores.

Brueghel painted picture Flores en un jarrón de madera in 1606-1607. Prevailing color of this fine art print is oscuro and its shape is retrato. Original size is 73 x 98. This art piece is located in Kunsthistorishes Museum, Viena, Austria. This image is printed on demand - you can choose material, size and finishing.

Jan Brueghel the Elder (1568-1625). Flemish painter. Son of Pieter Brueghel the Elder and father of Jan Brueghel the Younger. He is famous for his still life paintings with flowers (one of them can even be found in Prague). For his favourite theme, he is called "flowery" Brueghel, and possibly for his favourite material, he is also called "velvety." Unlike his brother Pieter Brueghel the Younger, he developed a personalized and nuanced style of painting, distinct from his father’s. Many of his paintings originated through collaborations with other artists (for example, he painted figures into other artist’s landscapes and vice versa).

Flores en un jarrón de madera

Jan Brueghel the elder

Motif size

Total size: 60 x 80 cm

Material


Finishing


Frame & passepartout

colour of passepartout
none

Selected finishing

Matte paper (print)
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Print. The image is printed on the top quality 10-ink HP Z9PS printer on HP matte 270 g / m2 paper. You can choose any size to an accuracy of 1 cm. A margin of 5 cm around the image is added to the size of the motif.

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You can find a detailed description about our finishings here.

:
40 €

Shipping date: 2 days

Flores en un jarrón de madera

ID: #3613 | TOP 100 | Renacimiento | Flores

Date: 1606-1607
Medium: oil on board
Location: Kunsthistorishes Museum, Viena, Austria
Dimensions: 73 x 98

Texto traducido automáticamente. ¡Disculpe los errores!

En esta imagen, a primera vista, una composición poética se combina con pinceladas perfectas. Brughel pintó flores en un peso de madera para el archiduque austriaco Albrecht VII. Habsburg, gobernador holandés y virrey portugués. La pintura se convirtió en uno de los muertos muertos más famosos en la historia del arte europeo. Es interesante que las flores de diferentes estaciones florezcan al mismo tiempo. Una composición equilibrada y de color sobre un fondo oscuro distrae nuestra atención de las flores secas que caen sobre la almohadilla en la que se encuentra el jarrón. Brughel dijo que le gustaba mirar esta pintura en invierno, porque dijo que podía sentir no solo una atmósfera positiva sino también el olor a flores.

Brueghel painted picture Flores en un jarrón de madera in 1606-1607. Prevailing color of this fine art print is oscuro and its shape is retrato. Original size is 73 x 98. This art piece is located in Kunsthistorishes Museum, Viena, Austria. This image is printed on demand - you can choose material, size and finishing.

Jan Brueghel the Elder (1568-1625). Flemish painter. Son of Pieter Brueghel the Elder and father of Jan Brueghel the Younger. He is famous for his still life paintings with flowers (one of them can even be found in Prague). For his favourite theme, he is called "flowery" Brueghel, and possibly for his favourite material, he is also called "velvety." Unlike his brother Pieter Brueghel the Younger, he developed a personalized and nuanced style of painting, distinct from his father’s. Many of his paintings originated through collaborations with other artists (for example, he painted figures into other artist’s landscapes and vice versa).


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