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La Fornarina

ID: #1947 | Renaissance | Nackt

Date: 1516
Medium: oil on board
Location: Palazzo Barberini, Rome, Italy

Automatisch übersetzter Text. Bitte entschuldigen Sie alle Fehler!



Ein Porträt einer jungen Frau oder eines Bäckers (es. La Fornarina). Wahrscheinlich ist es Margherit Luti, Rafaels Liebhaber. Die Frau hat ein Band am linken Arm mit der Unterschrift der Autorin (Raphael Urbinas). Nach einigen Historikern soll die Position ihrer Hand von einem Krebstumor abgedeckt werden, aber es ist wahr, dass diese Geste eine wichtige Rolle bei der Gesamtzusammensetzung des Bildes spielt und auch als Symbol der Liebe verstanden wird. X -RAY -Bilder enthüllten, dass es eine Landschaft im Vinci -Stil mit Myrts Haine gibt, die der Göttin der Liebe der Venus gewidmet waren

Raffael painted picture La Fornarina in 1516. Prevailing color of this fine art print is dunkel and its shape is porträt. This art piece is located in Palazzo Barberini, Rome, Italy. This image is printed on demand - you can choose material, size and finishing.

Rafael (1483-1520). Italian painter and architect of the Renaissance. His full name was Raffaello Sanzio da Urbino. His works are admired for the simplicity of form and composition, and elegance with which he captured the neoplatonic ideal of beauty of the human body. Along with the Michelangelo and Leonardo da Vinci, Rafael is among the three greatest masters of his time. Rafael was very hardworking and ran an unusually large workshop (for example, he painted the frescoes in the Apostolic Palace in the Vatican). During his life, he greatly influenced the world of art; however, after his early death, this influence was overshadowed by the similarly active Michelangelo. His compositions were studied and admired as a model of academic painting until the 19th century. His paintings are characterized by the beauty and dignity of character, precision and purity of painting.

Motif size

Total size: 55 x 80 cm

Material


Finishing


Frame & passepartout

colour of passepartout
none

Selected finishing

Matte paper (print)
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Print. The image is printed on the top quality 9-ink HP Z9PS printer on Fomei Cotton Smoooth g / m2 paper. You can choose any size to an accuracy of 1 cm. A margin of 5 cm around the image is added to the size of the motif.

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You can find a detailed description about our finishings here.

:
38 €

Shipping date: 2 days

La Fornarina

ID: #1947 | Renaissance | Nackt

Date: 1516
Medium: oil on board
Location: Palazzo Barberini, Rome, Italy

Automatisch übersetzter Text. Bitte entschuldigen Sie alle Fehler!



Ein Porträt einer jungen Frau oder eines Bäckers (es. La Fornarina). Wahrscheinlich ist es Margherit Luti, Rafaels Liebhaber. Die Frau hat ein Band am linken Arm mit der Unterschrift der Autorin (Raphael Urbinas). Nach einigen Historikern soll die Position ihrer Hand von einem Krebstumor abgedeckt werden, aber es ist wahr, dass diese Geste eine wichtige Rolle bei der Gesamtzusammensetzung des Bildes spielt und auch als Symbol der Liebe verstanden wird. X -RAY -Bilder enthüllten, dass es eine Landschaft im Vinci -Stil mit Myrts Haine gibt, die der Göttin der Liebe der Venus gewidmet waren

Raffael painted picture La Fornarina in 1516. Prevailing color of this fine art print is dunkel and its shape is porträt. This art piece is located in Palazzo Barberini, Rome, Italy. This image is printed on demand - you can choose material, size and finishing.

Rafael (1483-1520). Italian painter and architect of the Renaissance. His full name was Raffaello Sanzio da Urbino. His works are admired for the simplicity of form and composition, and elegance with which he captured the neoplatonic ideal of beauty of the human body. Along with the Michelangelo and Leonardo da Vinci, Rafael is among the three greatest masters of his time. Rafael was very hardworking and ran an unusually large workshop (for example, he painted the frescoes in the Apostolic Palace in the Vatican). During his life, he greatly influenced the world of art; however, after his early death, this influence was overshadowed by the similarly active Michelangelo. His compositions were studied and admired as a model of academic painting until the 19th century. His paintings are characterized by the beauty and dignity of character, precision and purity of painting.


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55 x 80 cm
38 €