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Selbstbildnis in der Hölle

Edward Munch

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Selbstbildnis in der Hölle

ID: #6063 | Expressionismus | Porträts

Das Gemälde zeigt eine stehende weibliche Figur im Vordergrund und eine undeutliche dunkle Silhouette im Hintergrund. Es dominieren warme Töne, und die Figur der Frau wird durch das Licht hervorgehoben, während der Hintergrund in dunkle Schattierungen gehüllt ist. Der ausdrucksstarke Stil des Malers ist deutlich zu erkennen, mit einer großen Betonung auf Farbe und Licht.

Dieser Text und die Schlüsselwörter wurden von einer künstlichen Intelligenz erstellt, bitte haben Sie Verständnis!



Prevailing color of this fine art print is rot and its shape is porträt. This image is printed on demand - you can choose material, size and finishing.

Edvard Munch (1863 - 1944) Norwegian painter, graphic designer and influential representative of modern art. He grew out of the spiritual atmosphere of Art Nouveau and his paintings have some characteristics of this style. He studied at the drawing school in Oslo, where he was influenced by naturalism, French Impressionists, Postimpressionists, (particularly Gauguin and Seurat). His work tends towards impressionism and symbolism and became the basis for expressionism. Through the Berlin exhibition in 1892, he significantly influenced the expressionist group Die Brücke and contributed to the creation of the Berlin Secession. In the Czech Republic, he became known after the exhibition in 1905, which inspired the art group Osma. Among his most famous paintings are, in particular, The Scream and Madonna. His paintings are characterized by the simplification of forms and attention to detail. Munch places emphasis on capturing mental states and emotions. Initially, his work lacked a warm reception as the images were labelled as violent, strange and distant to the general audience. After breaking up with lover Tully Larsen in 1906, his neurosis and depression deepened. The last years of his life were spent in the Norwegian countryside, and after the occupation of Norway by the Germans, he lived in fear in his house with his entire collection of paintings. His paintings significantly influenced expressionism and became representative of this style.

Selbstbildnis in der Hölle

Edward Munch

Motif size

Total size: 64 x 80 cm

Material


Finishing


Frame & passepartout

colour of passepartout
none

Selected finishing

Matte paper (print)
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Print. The image is printed on the top quality 10-ink HP Z9PS printer on HP matte 270 g / m2 paper. You can choose any size to an accuracy of 1 cm. A margin of 5 cm around the image is added to the size of the motif.

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You can find a detailed description about our finishings here.

:
40 €

Shipping date: 2 days

Selbstbildnis in der Hölle

ID: #6063 | Expressionismus | Porträts

Das Gemälde zeigt eine stehende weibliche Figur im Vordergrund und eine undeutliche dunkle Silhouette im Hintergrund. Es dominieren warme Töne, und die Figur der Frau wird durch das Licht hervorgehoben, während der Hintergrund in dunkle Schattierungen gehüllt ist. Der ausdrucksstarke Stil des Malers ist deutlich zu erkennen, mit einer großen Betonung auf Farbe und Licht.

Dieser Text und die Schlüsselwörter wurden von einer künstlichen Intelligenz erstellt, bitte haben Sie Verständnis!



Prevailing color of this fine art print is rot and its shape is porträt. This image is printed on demand - you can choose material, size and finishing.

Edvard Munch (1863 - 1944) Norwegian painter, graphic designer and influential representative of modern art. He grew out of the spiritual atmosphere of Art Nouveau and his paintings have some characteristics of this style. He studied at the drawing school in Oslo, where he was influenced by naturalism, French Impressionists, Postimpressionists, (particularly Gauguin and Seurat). His work tends towards impressionism and symbolism and became the basis for expressionism. Through the Berlin exhibition in 1892, he significantly influenced the expressionist group Die Brücke and contributed to the creation of the Berlin Secession. In the Czech Republic, he became known after the exhibition in 1905, which inspired the art group Osma. Among his most famous paintings are, in particular, The Scream and Madonna. His paintings are characterized by the simplification of forms and attention to detail. Munch places emphasis on capturing mental states and emotions. Initially, his work lacked a warm reception as the images were labelled as violent, strange and distant to the general audience. After breaking up with lover Tully Larsen in 1906, his neurosis and depression deepened. The last years of his life were spent in the Norwegian countryside, and after the occupation of Norway by the Germans, he lived in fear in his house with his entire collection of paintings. His paintings significantly influenced expressionism and became representative of this style.


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