Reise nach La Cave

ID: #3439 | Impressionismus | Landschaften

Date: 1882
Medium: oil on canvas
Location: Museum of Fine Arts, Boston
Dimensions: 81,6 x 60,3

Automatisch übersetzter Text. Bitte entschuldigen Sie alle Fehler!

in einem raffinierten zerbrechlichen Mantel. Trotz der unsicheren Fortsetzung der Reise gelang es ihm, einen angenehmen und hilfreichen Ort zu schaffen. In einer Zeit, als die Reise nach La Cavee gemalt wurde, erschienen nur menschliche Figuren in Monets Gemälden. Ihre Abwesenheit ist jedoch überhaupt nicht schädlich - das Gemälde ohne sie lädt, verführt, beruhigt und verspricht und der Gesamteindruck ist intakt und fast perfekt.

Monet painted picture Reise nach La Cave in 1882. Prevailing color of this fine art print is lebendig and its shape is landschaft. Original size is 81,6 x 60,3. This art piece is located in Museum of Fine Arts, Boston. This image is printed on demand - you can choose material, size and finishing.

Claude Oscar Monet (1840-1926). A native Parisian, who thoroughly developed the idea of Impressionism. Monet almost scientifically studied the effect of light on different objects. He devoted himself to so called transitory states, which quickly led him to work with colour and light, his paintings acting on the viewer from the first impression. His use of open-air painting and objects which were special only because of light opened the way for the beginnings of modern painting. Monet’s Impression, Sunrise (1874) not only gave the name to the whole art movement, but secured Monet a place among the best painters of all times. At one time, he resided in London and created his famous study Houses of Parliament (Monet wondered, How could the English painters paint Parliament when it cannot be seen for the fog?). In the Giverny, which became his favourite retreat after the death of his wife, he painted motifs from his garden and the popular series Water Lilies - the world of the water was as poetic and mysterious as a primordial paradise.