Japanische Brücke in Giverny

ID: #2105 | TOP 100 | Impressionismus | Landschaften

Date: 1895
Medium: oil on canvas
Location: private collection
Dimensions: 97 x 117

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Im Laufe der Zeit werden Bilder abstrakter, ihre Konturen verlieren Schärfe und verschwinden jedes Detailgefühl. Der Garten, dessen künstlerische Verarbeitung praktisch von Kunst besessen war, wurde vom Maler selbst gebaut. Er wählte verschiedene Blumen, schuf einen Teich und pflanzte Wasserlilien. Im Jahr 1895 integrierte eine Holzbrücke im japanischen Stil auch in die magische Umgebung, die viele Jahre als Inspirationsquelle diente.

Monet painted picture Japanische Brücke in Giverny in 1895. Prevailing color of this fine art print is grün and its shape is landschaft. Original size is 97 x 117. This art piece is located in a private collection This image is printed on demand - you can choose material, size and finishing.

Claude Oscar Monet (1840-1926). A native Parisian, who thoroughly developed the idea of Impressionism. Monet almost scientifically studied the effect of light on different objects. He devoted himself to so called transitory states, which quickly led him to work with colour and light, his paintings acting on the viewer from the first impression. His use of open-air painting and objects which were special only because of light opened the way for the beginnings of modern painting. Monet’s Impression, Sunrise (1874) not only gave the name to the whole art movement, but secured Monet a place among the best painters of all times. At one time, he resided in London and created his famous study Houses of Parliament (Monet wondered, How could the English painters paint Parliament when it cannot be seen for the fog?). In the Giverny, which became his favourite retreat after the death of his wife, he painted motifs from his garden and the popular series Water Lilies - the world of the water was as poetic and mysterious as a primordial paradise.